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Archive for the ‘poetry’ Category

I could not let April end without posting one update, and it’s an update I would not have predicted when I posted the third of three in March. During that month, at my second post-operation visit with my surgeon, I had been given permission to remove the full-extension leg braces. I could keep them, make a sculpture out of them, burn them. They belong to me. This was a burst of sunshine to my outlook.

True, I had to continue with the bulky aluminum walker which was not much of a bother. In two weeks I was spending nearly all of my time carrying it — mostly to impress my physical therapists who wanted me to follow “doctor’s orders,” and a little bit to give an impression that I was experiencing significant discomfort when I was on my feet at my employer. Both efforts were charades, of course. I was still riding the disabled minibus service, Access Springfield, and starting in late March I begam entering and exiting on the steps after the entry door opened. I no longer needed the hydraulic lift that allowed me to stand, stabilized by my walker going up and coming down. On April 13, I took my last Access Springfield ride — home from the airport museum on a Saturday afternoon — and the next day I drove out to the airport in my pickup truck for the first time since January 12. THAT was another milestone in the recovery action! I’ve been driving ever since.

Since I began driving again, I’ve not bothered with the pretense of needing the walker. It’s all been going fine . . . until about April 2 when I began visiting the hospital for hour-long physical therapy workouts twice a week instead of the previous onceas, and things became real serious real fast. Just as I began to see “light at the end of the tunnel” — naiively imagining all the workouts would be over reasonably soon — as I religiously followed the physical therapists’ instructions for a series of excercises at home that took about 30 minutes every morning . . . they made the tunnel longer, adding some standing excercises involving some that involved simple but perilous (to me) squats to strengthen my upper quad area, stretching exercises for the hamstrings and balancing excercises because good balance is mandatory for maximum safety. As a result — and this is what I would not have predicted a month ago — I have begun to lose the sense of pride I had during the early recovery days when I was seeing progress almost every day, gaining confidence.

I’m still a 65-year-old fellow with no love life, fair social life, an employer I allow to drive me absolutely nuts and no real prospects for imporoving either. Also, I cannot BUY help at the airport museum. It’s hard to be creative when my head and heart are mired in disappointment. I’ve not written a new poem since leaving the hospital; haven’t blogged since May 23. The physical therapy and daily regimen at home are creating more physical distress by the hour than in the early days. Why the hell bother with all this theraphy?

At the end of today’s physical therapy session, my sour outlook was obvious. Therapist Alex (a woman) offered to reduce the twice-weekly sessions to one a week again, and I declined. At least I will do the exrcises at the hospital. At home, I’ve become less inclined to do ALL the recommended workouts.

I’m told that on my next visit to my surgeon, he will likely discontinue my sessions at the hospital and advise me to keep excercising and walking a lot. I will miss the visits with Alex and Heather there. I’m missing more than engaging. Missing what is not mine and engaging the surprisingly social life that is . . . all the while wishing I didn’t have so many things on my calendar. They’re on my calendar for a reason: I LIKE to be with people who like me.

So I will continue with this for awhile, try to be more conscientious, and will share a new poem come May.

Live long . . . . . . and proper.

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Reflections of a Single Male Approaching 65
by Job Conger
8:40 pm Monday, July 16, 2012
extensively revised March 24, 2013

Some things fade from memory:
the name of the grandfather
you met on his farm in Cochran, Georgia
when you were five,
The best friends of your mom and dad
who had more than you do –
their “social associates” –
by definition you’re ahead on that score.
You remember your sister’s prom night,
all the fuss she and mom made over the prom dress,
with lots and lots of petticoats.
She was the queen of the senior prom that year
Nineteen hundred and fifty-four or thereabouts.
You would turn seven three months later.

As you look back over the years,
grateful for every one, I might add,
trying to remember what you forgot —,
and for what positive benefit you cannot imagine —
you are glad for what you can’t recall:
the names of those who declined your invitations to dance
at the Ben Franklin Junior High School sock hops,
and that’s okay because you danced with those who said “yes”
almost as much as you wanted to dance.

Also long forgot the names of those
who you dated once or twice
and neither celebrated nor suffered after that

And as you remember mostly
all the cataclysmic epiphanies,
revealed in burning bushes, from trying and failing.
you chew your cud of solitary solace. Your heart remains true as you continue your quest
for Nirvana or Dulcinea or Snow White and, God bless her,
Ellen H, the woman who came closest
to your pre-pubescent, adolescent and post teen and post 30s and post 40s and post 50s and post 60 aspirations . . .
swallowing echoes, stark in truth, inexorably evolved from moonlight masquerades and made plain to see,
illumined by the burning wisdom of the sun.
The lies of moonlit truths reflected
and savored in soft shadows.

That siren song patina, the reason to live until tomorrow,
melodious hopes penned by writers of fairy tales
and you harmonized with them, a willing accessory to the
cosmic delusion: love and living happily ever after.

Underneath the patina, what you wanted to be close to
to touch and kiss and devote your life to:
the heaven-on-earth of a smile
and a few wet inches.

================

As I engage challenges I did not imagine less than a year ago, I’ve decided that instead of “wearing purple,” I’m going to be more of who I am. Perhaps doing this will inspire you, dear readers, to do the same.

Live long . . . . . . and proper.

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Take Two
by Job Conger

(introduction)
For months President Bush fed us lies
Served by pious, righteous cronies sleek and wise.
Some of us didn’t care to dine on their siren soup du fear
.Now digestion time is over, and the truth is odiferously clear . . . .

He’ll sing and dance like few Yale frat brats can
When W’s feces of lies hit the fan.
Though he sold us a war, second guessing is a drag.
It’s amazing what some folks take home when you wrap it in a flag.

He has stained our proud Stars and Stripes true
With new colors of brown, black and blue.
Those who saw through his blow,
We ain’t real Americans no mo
As W’s feces of lies hit the fan.

Front yard PATRIOT signs are the rage
Like armband fashions of an earlier age.
The feared weapons are as real as “the emperor’s new clothes.”
The facts should be clear to all who breathe through their nose.

The Congress feasted on pork barrel pie.
The “sounds of silence” was their battle cry.
They stayed cool and well-fed
While soldiers brave died and bled
And W’s feces of lies hit the fan.

Now he tells us “Saddam had to go!”
“Nobody ever really liked that guy, you know.”
Though the U.N. tried hard, they could not find a trace,
So the “compassionate conservative” threw war in their face.

So, as we hold noses tightly and pray,
It’s time to send CHIEF INSPECTOR O.J.
For gasless, germless blue skies
Can’t match a PRO’s alibis
As W’s feces of lies hit the fan. 

—– written June 26, 2003
================

The song was my “mantra” during W’s ‘rain of you know what,” but even songs, like wars, don’t seem to move folks the way they used to. I will play/sing Page Two in public for the first time in years at Springfield Poets and Writers Group’s Open Mike Night, March 20 at Robbie’s Restaurant on Adams Street — Springfield’s South Side of the Square along with my songs “Watching the Tide Go Out” and the song I wrote about my early days of treatment for my separated kneecap repair at Memorial Medical Center. I’ll also recite a favorite Vachel Lindsay poem as always. There will be talent and awesomeness a plenty, so please attend if you can. The fun begins at 6 pm. I hope to see you there.

live long . . . . . and proper.

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Following the January 17 surgery required to re-attach my upper quad tendons to my kneecaps,   I enjoyed more activity with more friendly, educated and lucid people than I’d experienced in my life. Along with visits from several friends and acquaintances, some of whom I’ve not seen since being discharged January 27, the medical and  housekeeping personnel at Memorial Medical Center  (MMC) were absolutely GOLD in their interfacing with me. I was blessed with several friends who rearranged my living room to that it would be my primary living space — close to the kitchen and front door with my bed relocated so I could watch TV from bed or chair, work at a nearby table, etc. Not knowing how long  it would be before  I could return to work at my employer, these friends and a few more had  packed my refrigerator and cupboards with an amazing array of food. By the evening of the 27th, there was more food in the house than there had been in any previous MONTH. (I am a man of modest means,) Another friend arranged to have a hot meal brought to the house by volunteer cooks/deliverers who visited every three or four days and almost always called before delivering to be sure their timing was good. Some friends volunteered/delivered food more than once: home-made chili, spaghetti sauce and more. For most of a month, it was a minor Eden (minus the Eve, dang it, but I never went naked for an entire day). Every other day for about a month I was visited by Visiting physical and occupational therapists from MMC who changed my dressings, took blood pressure, respiration and pulse. In late February, the staples, which had held me “together” along the incisions (59 on the right leg, 64 on the left) were removed by a nurse who came to my home at my surgeon’s direction. I was amazed by how clean everything looked.

The first “milestone” during what has evolved into a rather LOOOOOOOOOOONG recovery came with my first ride to my new “physician of record” at the county health clinic where we “charity” patients go. It was my first ride on Springfield’s minibus transportation service for disabled  people. I can go anywhere in town for $2.50 per ride to destination. That amounts to $5 per “there and back” round trip, but it is a wonderful arrangement; much more affordable than cabs.  Since that visit, I have returned to work part-time, typically five or six hours a day and 5 days a week. I’ve also returned to my AeroKnow Museum at the airport where I volunteer two or three morning every week (7:30 to 11 am) before riding another Access minibus to work and then home. Since Access does not operate on Sundays, it has been a real challenge to recruit friends who will drive me out at say 8:30 or 9 and come back to take me home about 5 or so. One friend has come through for me every week since I started Sundays at  the museum in late February, and I HOPE I can find another friend or two to share the burden. In the meantime, I am gradually spending more time working on museum tasks at home.  My next door neighbor has been a Godsend, taking me to the barber, grocer, office supply store and more. Again I WISH I knew more than one person, because sometimes my needs and the person’s schedule do not coincide. In the meantime, I’m happy to be blessed by the help at hand.

The one unexpected lesson of this process has been my outlook on life as influenced (with my permission) by my employer. I KNOW I’m lucky to be working at all and that’s why I’m still working there, but the deletable expletive BEFORE my fall is the same deletable expletive AFTER my fall only now I experience it with full-extension leg braces. Every day I work, the joy of life, drains from me like air from a tire going flat. Some evenings I wait an hour for the arrival of the Access minibus after we close, so since I’m the one who “locks up the store” I sit in a dark showroom and listen to the nearby grandfather clock chime every 15 minutes watching the sun go down and drag myself through my front door at 6:40 or so, This routine has nearly drained the creative incentive from me. I’ve not written a poem longer than four lines since I was sleeping at the hospital. This is the first Honey & Quinine I’ve posted in too darn long! I must rise above all this, and in these words we see the first step. I’ve decided my story is a story that should be shared with friends and innocent strangers. I am alive . . . . still.

I write, therefore I am!

Live long . . . . and proper.

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Here’s to the Spirit
by Job Conger
written 5:30 pm, December 21, 2005

(chorus)
Here’s to the spirit of hope in our hearts –
The spirit, the ghost or the flame –
That shows you the world with the gift of a smile,
No matter the credo or name.
In the darkest of winter a warm breath to brighten
Horizons of those who are dear.
Yes, here’s to the spirit that moves us to love
And here’s to a happy new year.

Life is a voyage through tumbling tides
In the quest for safe harbor and land
As we seek sweet surcease from our sorrows and pain,
When the sailing’s not smooth as we planned.
Blame your dad, blame the devil, blame a deck of bad cards,
But they won’t wreck your ship on the shore.
When you stand at the helm, show the world that you care,
And you’ll reach where you’re going and more.

(chorus)

The world will be better from what burns inside,
Not from whining and running away
To a bottle or needle or palavering cult.
What you need, you should be. Show the way.
Let the glow of true passionate dreams light the world,
And the lasting rewards they will sing
As the dawn of each new day to arise to our hopes,
And we’ll know life is worth everything.

Yes, here’s to the spirit of hope in our hearts –
The spirit, the ghost or the flame –
That shows us the sun with the gift of a smile,
No matter the credo or name.
In the darkness of winter, a warm breath to brighten
Horizons of all we hold dear.
Yes, here’s to the spirit that leads us to love
And here’s to a happy new year.
Yes, here’s to the spirit that leads us to love . . . .
And here’s to a happy new year!

===============================
When I have an idea for a poem or a song, it’s as good as written. The challenge is to allow myself to make the time to be open, to let the inspiration come to me as it did December 21, 2005.  For several years, odds were pretty good that if I wrote a poem or song at ALL, it would be written toward the end of the year. I knew I wanted to write an exhortation that wasn’t “preachy.” Instead of saying “YOU SHOULD FEEL THIS” the approach was to TOAST The SENTIMENT in the chorus. Instead of “preaching” in the chorus, I wanted to “exhort,” and I believe I did. Listeners/readers aren’t asked or directed to do anything in the chorus. I’m simply toasting the day. I wanted something akin to an Irish sound to the melody, and that was easy. As the poem’s chorus lyric, the major element which I wanted to repeat, came together the melody came before I had written the first three lines. The verse varies only it words. It has the same melody as the chorus. I will record the song on Sound Cloud, and send it as a document to anyone who commends about the song and asks for the recording. Best wishes to you for a happy new year.

Live long . . . . . . and proper.

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I had been on the train to Chicago about two hours before I toot the first picture. PP1215-1  The burned out  building across the track from our stop at Pontiac, Illinois  was typical of the mood of the rainy, dark and drab morning since leaving the Springfield Amtrak station at 6:32. The land tells a tale of woe in winter. The one ray of sunshine that entered my picture was a young woman who boarded the coach class car a few minutes after me, who approached as asked if the aisle seat beside my window seat was taken. “It is if you would like to sit in it.” is what I should have said, and whatever I said worked because  she sat down. From that point on, as the Number 305 began to roll, I knew I was one of the luckiest passengers on the train.

I was in no rush to be chatty, and neither was she; a good thing.  Thanks to the rainy sky and hour of the new day, the whole car seemed hushed. A few passengers, obviously aboard since St. Louis or before had taken advantage of the seats with spare empties and stretched, to occupy both in blissful slumber through the night. There would be ample time for talk in the coming 3 1/2 hours. I glanced peripherally in her direction as she pulled out a Sports Illustrated, thumbed through it, stopping to read an article, it seemed, then looked over some papers from a computer printer. This took about an hour and a half.  I stared out the window at the darkness, mildly perturbed that the seat was positioned awkwardly behind the closest window. To take pictures when the sun rose to the occasion, I’d have to lean forward. It was really going to crimp my modus operandi, but as the light began to creep into the morning, I knew I wasn’t going to photograph anything significant anyway with the rain drops all over the window. There was no point in gazing into the dark so I began to read a small biography of Wolfgang Mozart I had brought for such a glum circumstance.

My trainmate sat still, eyes closed, no doubt, dozing. I know this because people don’t open their months slightly when they are meditating or feigning slumber. When I first noticed, her head faced pretty much forward, but over the miles it rolled to her left. I know this seems crazy to confess, but I felt I was watching something sacred as she slept. I glanced at her probably five times over that quiet hour, and never for more than a few seconds at a time. I didn’t want her to awaken to see me watching her. After her nap we began to lob remarks back and forth, and gradually began to converse. The entree to what would be civil, convivial patter for the rest of the journey was my asking her, “Are you a dancer? I noticed you reading the Sports Illustrated when we started, and I thought you might be with a ballet or something.”

No, she was not a dancer although she volunteers for an arts organization in Quincy, Illinois where she lives and works. She was coming to Chicago to go shopping and take a break from the home town. We chatted about Quincy and the times I had enjoyed there when on the road selling Encyclopedia Britannica. I was surprised she had not yet visited the Quincy museum, across the street from what used to be the Lincoln-Douglas Hotel where I used to stay, now a home for senior citizens.  I introduced myself; told her my name is Job and asked her first name.
She was Anna Lee. BEAUTIFUL name! Later, after we had talked awhile, I asked if I could take her picture. She said “yes.”

PP1215-2

When I boarded the train, I had put my laptop computer carrying bag in the overhead luggage, but had placed my guitar, soundbox to the bottom and neck up, between my legs. Eventually, it entered the dialogue as I explained I was going to entertain at the Christmas party of some Chicago friends, Peter and Byung who had been visiting the Vachel Lindsay home State Historic site in 2010 when I was featured speaker at an event there.

As we rolled along I snapped a few pictures of the scenery outside, but my heart wasn’t in it. The weather was not my friend.  I recognized a lot of the scenery from my trip last year when I spoke, recited and sang at Chicago’s College of Complexes, thanks to the invitation and hospitality of my new friends Peter and Byung. I took probably three more pictures, and, two days later,  after reviewing them, decided none were fit to share.

As the train began to pull away from the Joliet station, I remembered to call Peter to let him know I was this far into the trip so he could start out for Union Station to meet me curbside by the CVS Pharmacy, I dialed his number.  . . . . . . . . . . . . . . . .

. . . . .   and discovered no answer and no voice mail! DANGIT! Peter had lost his cell phone and had told me earlier in an e-mail he’d be borrowing his wife’s on Saturday morning. I called her number five times. The only result was that I learned, beyond a shadow of a doubt, that his charming wife, Byung, had not set up voice mail! I had noticed Anna Lee using an Android or something like it earlier, so I asked if she could access e-mail with it. She could. And did. I gave her the information and we found Peter’s e to me in which he had given me Byung’s cell number. YES (surprise!) I HAD copied it correctly! I tried a few times more. NOTHING! Back to Anna Lee . . . Could she go back to that e-mail from Peter since all his e-mails include his home and office phone numbers. Maybe he had found his phone and didn’t tell me. . . . I called both numbers  . . . twice! No joy.  Anna Lee suggested she could e-mail him a note to call me on my cell. At least I would answer it. So we e-mailed him something cryptic with my cell number. . . . . . . . And in five minutes or so my phone rang.  WHHHHEEEEEEW!

Okay, all was set. No worries.  I gave Anna Lee my “Balladeer For Rent” folksinger card, and to my surprise and delight, she gave me her business card with an e-mail address.  As the train entered the dark part of the station, slowing to a stop, Anna Lee rose to get her luggage, and asked if she could pass me my laptop case. “Absolutely,” I said, and reached into one of the pockets, removed a copy of my book Confluence of Legends about my visit to Urbana, Ohio where I read a Vachel Lindsay poem and played/sang folk songs.  I explained I would wait for most of the passengers in our car to depart before following with my bulky guitar thanked her profusely for being such terrific company! She indicated the same satisfaction from our serendipitous encounter and went happily down the aisle.

My laptop case was full of my books: the afore-mentioned Confluence, plus Minstrel’s Ramble: to Live and Die in Springfield, Illinois and Bear’ sKin, two of my  three poetry books and Springfield Aviation from Arcadia publishing. I had also brought copies of some Vachel Lindsay poems (I recite what I’ve memorised at the drop of a hint) and the Mozart biography. In one pocket were my hair brush, a bottle of after-shave from a grocery store. I had forgotten my toothbrush and toothpaste, though I had brushed before leaving Springfield. Finally, I had packed a pair of clean shorts, Fruit of the Looms, for the return trip the next day. I needn’t have bothered.

The trek into the station up the escalator and over to the CVS to wait for Peter was a breeze, in light rain. I would have been as happy to be walking in magnificent downtown Chi’ if it had been raining cats and dogs. I had packed light, I had my guitar, some great memories from the trip with Anna Lee. I was looking forward to seeing Peter and Byung again. I wasn’t merely Springfield folk slinger; I was frikking James frikking Taylor! I was a frikking STAR! I was absolutely where I wanted to be!

. . . Coming next on “Return to Chi’ (or) I Didn’t Even Change My Shorts” part 2: I meet Peter and tour an art house preparing for a silent auction and the FABULOUS MAJOR University of Chicago Art Gallery!

Live long . . . . . . . and proper.

 

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Since January, I have stopped being a poet so that I could pour my heart and soul into a major project at AeroKnow Museum. Most readers will laugh and then sigh as I explain the obsession has been the consolidation of less-than-whole page (8.5 x 11 inch) scraps of information into single-page amalgams of information. I finished the project last Thursday.

Last January I started pulling scraps from every file in the museum’s Research Room: — 15 file cabinets — filling 12 (case-of-reams-of-office-copy-paper-size) boxes with them, and then setting them aside in the Intake Room to be further processed through two of the three requisite tasks leading to the return of the information removed back to the Research Room. In the meantime, too much of the rest of my life as ceased to exist.

The task was time-consuming to be sure, but it was made easier, thanks to my almost completely walking away from good people in this community whom I have known and appreciated for years. Most of this walking away has occurred since last August when I  started coming to grips with the angst of my frail mortality as I approached my 65th birthday. I’ve attended far fewer poetry and visual arts events than I attended before launching AeroKnow Museum at the airport.

I have completely walked away from Vachel Lindsay Home State Historic Site. For almost three years, I had been inviting the site director — who, through her occupation connection to history might have (logically) enjoyed seeing it — to visit AeroKnow MUSEUM. Until August I invited her every time I attended an event at the Lindsay landmark. Until November, I had renewed my membership in the Vachel Lindsay Association and attended the annual meetings. Not any more. I have not walked away from my appreciation of Vachel Lindsay and his poetry. I will continue sharing my Vachel Lindsay program and reciting his poems for anyone who will have me. My profound disappointment with the  “Lindsay elite” would be harder if my treasured Lindsay scholar and friend Dennis had not taken his own life about a year ago as Vachel’s birthday approached. The positive outcome of all this is that I better understand what I believe Vachel was experiencing before he took his own life in early December 1931. Springfield killed the poet pretty deliberately and well. The people of my own hometown Springfield (“this, the city of my discontent” — Vachel Lindsay from his poem “Springfield Magical”) killed my friend Dennis pretty well. I will not allow myself the incapacity to live, an incapacity I have felt looming in their company. They will not kill me.

The last poem I wrote this year was inspired by a painting displayed at a gallery in October. I was delighted to have had the opportunity to write the poem “We Wander” and delighted to share it with an attentive audience, excellent people who delighted in hearing it — and other fine poems from poets inspired by other fine paintings. I WANT to be writing more poetry. People who read it, like it. So why the HELL have I not thrown myself into the pursuit of becoming the next Rod McKuen or Henry Gibson? Because I reap more direct reward from aviation and the few friends I have come to know from that on a daily basis than I have reaped from the SEVERAL (but not many) friends I have come to know, since about 1989 with my poetry and songwriting/performing. The  poetry connecting — now that I must work Saturdays for an employer whose last paycheck was given t me almost two months ago — comes once a month TOPS. Sometimes not even that. The aviation affirmation comes every day of my life.

Meanwhile, back at the airport, since last spring this year, at least two or three days a week, I arrive at the museum office between 5 (when the host business opens for the day) and 5:30 two or three times a week, and darn near every day but Sunday before 7. On Sunday, I sleep late and arrive by 9 without fail.  My consciousness is what I call “water seeking its own level.”

I am wrapped up in the web of what I call “syncopated sunshine” — a rhythm of life that is inconsistent and hard to swing to.

On days I shower, I roll out of bed at 4, and arrive at the museum at 5, sometimes a few minutes before, and eight of 10 times, the early arriver is already there at the occasional 4:55 and the building’s front door is unlocked. Other times, I am out of the sack at 4:30, teeth brushed, (no time for coffee) dressed and out to the museum by 5 or close to it.

In theory, I should be able to do this consistently by hitting the hay by 9, if not 8:30. I need no more sleep than six and a half hours’ worth. In reality, I am ALLOWING  the travails of my workplace to figuratively “tie one hand behind my back.”  I leave work at 5 — and go directly to the museum until 6:30 to avoid the rush hour traffic going home. I ALWAYS find something to work on. No big surprise there.  But, if I’ve had a really rotten day at work,  I go by to see if there is a Wall Street Journal I can have. The FBO that provides fuel and maintenance to local and transiting aircraft receives a State Journal-Register and three Wall Street Journals daily. Pilots and passengers departing the FBO after landing to refuel may take a WSJ to read about their airplanes in transit elsewhere. If there are any left when I arrive after work, the counter crew may approve me taking one or they may indicate a few more flights are scheduled for the evening, and all WSJs on hand need to stay until those flights have come and gone. THEN they will slide one under my office door.  WSJs are important to the museum because I read every issue I get and clip anything related to aviation so I can file it upstairs.

On a good night I’m home by 7, but if the day at work was better than typical, and my outlook is good, I will work at the museum until 8, sometimes until 9 and on really good days until 10. They close at 11 pm.

On a good night, I’m eating dinner by 7:15 and washing it down the hatch with cheap Burgundy. I am trying to drink more iced tea and less burgundy, but it’s not working out very well. Regardless, even with iced tea, I am exhausted from semi-combat at my employer. I am often asleep in my recliner by 7:40, and awaken most frequently around 11 when I turn off the lights and go bed, but even that isn’t easy. Late night radio before midnight totally stinks. Last night it was so bad, I listened to a “sports radio” station as my head hit the pillow, not because I’m a sports fan but because the only other two stations I can receive clearly in the bedroom are right-wing diatribe and financial advice (two separate radio stations). At least I’m not offended by sports radio.  Getting to sleep is easy. I don’t drink more wine when I wander in after the early evening “nap” because I’m already half asleep.

Getting back to sleep after AWAKENING at 2 am is the problem! It is pure, freaking purgatory. I DON’T want to get up and do something. What the hell is there to do in my house?  I have begun to work on AeroKnow tasks at home just to stay awake after dinner. Sometimes I delay dinner because I know I won’t go to sleep before I eat.  I REALLY want to confine museum work to the museum and my employer who doesn’t complain if he sees aviation material on my showroom desk because he knows my FIRST PRIORITY while I am there is MY EMPLOYER. That’s as it should be.  I am HAPPY to earn my pay  . . . whenever . . . he decides . . . . to pay me.

My home computer is an old laptop I purchased about two years ago with a small screen. I cannot work with the small screen, even with a full-size keyboard plugged into it. Sooooooo I am committing my resources to a new desktop computer for HOME this Christmas, but not before. In fact I will  go shopping for one AFTER Christmas because I expect prices to be lower then.

With the desktop computer at home I HOPE to sleep solidly for at least six consecutive  hours a night by not napping. If I’m tired after dinner with or without wine, I will to to the frikking bedroom after turning off the lights and the thermostat to 55. Then I will use the time from whenever the hell I do awaken to write poetry or songs or whatever, even AeroKnow Museum tasks.

The real hard part? Holding onto things until January. That will be the hard part.

Live long . . . . . and proper.

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On the Other Hand
by Job Conger

The down side
of living
through a time of travail
is that you
come to learn
how little
those you care about the most
notice
after you’ve gone away.

written 9:33 am, Sunday, November 11, 2012

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I am not writing poems and songs as frequently as when I was younger, in part because I am spending so much time developing AeroKnow Museum, and in part because I seldom have a reason. There’s no woman in my life (usually the best reason), and there is no call upon me to engage the process. It’s not a matter of having no time. When I have a reason, I make the time. When Springfield Poets and Writers Group (SPW) announced an opportunity for poets inclined to be moved by visual, framed, watercolor paintings created by members of the Sangamon Watercolor Society, and to write a poem that we would read aloud at a gallery reception November 3, I made the time.

Photos of the paintings had been posted at a Facebook site. The implicit hope was that every one of the 10 or so artists who had agreed to paint new works for the project would inspire at least one poet. Poets were to share the painting’s name (or a short description if there was no name) with our poetry coordinator, the current president of SPW. I was happy to learn soon after submitting my choice, that it was available.

Once “the table was set,” that I had seen the painting (or in my case a photograph on which the painting would be based) there was no worry or guilt trip over the first three of four weeks we had to write the poem and put it into a frame we could buy anywhere. A week before the deadline, I was at work when I was hit by an epiphany of words and vision. The words were the first three-line stanza of five I would eventually write, and the visual was the line structure that would be consistent in length and meter throughout. I also had the “voice” which would be one of the two people in the painting. It would not be about “faces” because the painting would show the backs fo two heads facing the other direction in a toy “Jeep” moving toward a simple green horizon under a blue sky.

Saturday morning, poets delivered the framed poems to the gallery site on the 3rd floor at Hoogland Center at the same time the visual artists would be arriving. The gallery hosts would determine how things would be arranged, but we all knew our poems would hang either close below or beside the paintings which had . . . . a  . . . . .mused us!

The event began about 5:30. Event emcee Jan Sorenson was talking to a fellow when I approached and asked if the artist who had created “my” painting had arrived. She said he was the gentleman she was talking to as I approached, and she introduced me to Mike Delaney of Decatur, Illinois. We had a happy intro, and then it was time for some quick pictures where his painting and my poem were hung.

The event went very smoothly, unhurried, and for most of it, sans speeches that began to drone on and on and on and on and on and on and on and on and on . . . as though some secret patron was paying the speakers not by the minute, but by the hour. At events without microphones and AMPLIFIED speakers, these days — and sometimes even with them –  my hearing is darn near shot to blazes anyway. What I did hear was very educational in the main. The artists spoke first following Jan’s fine introductions of paintings and artists, and then the poets were introduced. We all talked about what we liked about the paintings that had moved us and how we created our poems.

poet Job Conger (left) and painter Mike Delaney (right)

When Jan introduced Mike, his presentation was exemplary: informative, entertaining, and he even remembered how to correctly pronounce my first name!

Mike Delaney

Before I talked about my poem, I took a picture of the audience,

the audience

explaining how they are as important to me as a poet as my poem might be during the few minutes so it would take for me to share it. I said I had correctly anticipated the kids were sisters in the early photo, the basis for the poem I would write, and in the painting. I was delighted with the painting and for the opportunity two write about it. Then I read the poem . . .

We Wander!
                                 by Job Conger

So this will be the way we go:
We go to anywhere I know.
I know because my eager heart has told me so!

My sister is my friend; it’s true.
It’s true that life is all so new,
so new, and there is oh so much for us to see and do!

We’ll take the road less traveled by.
By serendipity we shall fly.
Shall fly so sweetly, fleetly, as we wander far and nigh!

What will Fate choose for us years hence?
Years hence may temper young confidence.
Young confidence shuns grownups’ fussy diligence.

And we shall dream, wandering free,
free, clownish,  cavorting, seekers ’til we . . .
’til we turn ten or maybe, let’s say, seventy-three!

To everyone’s credit none of the poets and artists exited the presentation before it was over. Open microphone nights at other local venues sometimes include “poetry prima donna’s” and “poetry prima daniels” who attend, read their poems and leave early. Not so November 3.

Another poet reads her poem about the nearby painting.

The readings were followed by recognition of the creations of other SWS member painters who had won prize ribbons in a recent annual contest. The event concluded with a “happy trails
from the sympatico emcee, and many of us elevatored down to the Prairie Art Alliances gallery reception on first floor.

Poet Mark Flotow talks about his poem and the colorful abstract painting which inspired it.

One of my favorites at the PAA reception was this by Delinda Chapman.

This photo of purchase information for Delinda’s painting has been slightly color modified.

Mark MacDonald (right), host of the public television program “Illinois Stories” chats with friends at PAA’s reception.

It was an evening well spent. Kudos and thanks to all who attended and participated.

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No dog of Pavlov has been more profoundly imprinted than the neighbor of Byron and Anne and daughter Wendy. (Those from the neighborhood, none of whom read this blog, as far as I can tell, will remember their last name. It’s not important here.) He and Wendy were born the same year. The dau was nice enough, but there was never any “chemistry” between the two. And though her mother never knew, as far back as he can remember, his first lasting impression of a woman who was not his mother or 12-years-older sister was a young married woman named Anne. She was the first really beautiful adult woman he met. Anne would come over for coffee some mornings in the really early years when both were stay-at-home moms. No movie actress resembled her and vice versa. Doris Day was of the same “carriage” (height, movement) and Dinah Shore (“See the USA in your Chev-ro-let”) had her voice; a patient, mellow, mid-range that never squeaked and never rasped. It was as smooth as mink. Sometime, during the early years of his life, Anne’s young neighbor three doors south made up his mind that he was going to marry a woman named Anne. He never confessed this to a living hummin’ bean.

He didn’t have to go out with women named Anne. The first Ann he met who was his age was Anne Kessler, and she was vivacious and easy on the eyes, but he never asked her out. They were in junior high home room together, and probably a few classes too. During high school he dated around, always hoping to find and go out with someone attractive named “Anne with an e” but never searching for anyone named “Anne with an e” and still having a pretty good time, Almost anyone named Linda was great company, he learned.  The closest he came Anne was Jo Anne Walusek when both attended college.  She was from Chicago. It didn’t work out. Summer happened, and they never reconnected.

He was also smitten with Anne Morrow Lindbergh, famous poet, wife of New York-to-Paris aviator Charles. He read her poetry and Listen, the Wind, a book about flying with her husband.

He came close to getting married only twice: to a woman from Hobart, Indiana who had moved to Springfield and a woman who lived on Peoria Street in Lincoln, Illinois. Both were named Ellen.

That name might have worked for him and marriage, but he seems to have given his “man-soul” to a Mary Ann whom he loved passionately and reasonably well, but who would not consent to marrying him despite his hanging on like a breathless swimmer to a twig of hope in the middle of the Pacific.  He would make a new man-soul for Anne; maybe purchase one at a Salvation Army Re-Soul Store. Maybe return to the “faith of our fathers, living still.”

He’s still looking for a woman named Anne today. True, he’s not dated for years, more than he cares to admit. In his current employment circumstance, sans significant cash, sans significant future, despite generally acute powers of the mind demonstrable in journalism, verse and song, and a modicum of regard by those who still know him in his town.  Some would say he’s too OLD to get married, but he doesn’t believe it. A fellow misses the companionship which he used to consider akin to a hankering for Vlasic Mini-Dill Pickles or a thirst for Wild Turkey. He misses the wisdom, the aroma, the affirmation, the laughter, the validation of what he is. He’s still looking for a woman named Anne to complete his destiny, but he’s decided to stack the cards in his favor at this late phase of the game, so to speak. Today, he’s not looking for just any garden variety Anne, the kind who would walk a mile for a quart of gin and a pack of Camels . . . . or thinks Ezra Pound was a great poet. He’s looking for the ULTIMATE Anne, and what kind of woman is that, you may wonder?

He’s looking for a woman named Anne . . . who is looking for a man named Job.

Live long . . . . . . . . and proper.

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