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I can imagine no other reason they would have returned my checkbook which they held onto a few nights ago when they abducted me. (Newcomers advisory: If you’ve not read my previous post, please do and come back to this. I’ll give you ten ellipsis  …  …  …  …  …  … …  …  …  …  …)

The whole abduction threw me for a mental loop which, except for no kissing, I would compare with being in love. I was unsure of my step and my head seemed to be in pea soup; not fog, real pea soup.

On balance, I had a decent Monday, soup notwithstanding. I mailed the poetry book edit and commentary back to one of my Arkansas friends, did NOT pick up any wine — why should I? I didn’t have to work at Rock Circus, and I have too much to do around here, catching up with a myriad projects. One project is the business monthly articles: three targeted and two taking shape. I DID my calling and e-mailing for that, and it was fun. Another project is catching up with my aviation web site which has suffered from my neglect while I’ve tussled with Rock City, poetry and dodging my work on the Arcadia Publishing book Reisch Brewery.

Following the abduction, I put off writing checks for bills I’ve been ignoring for weeks because the situation at Rock City regarding when and how much I’ll see a piece of what I’m owed is erratic. Can I commit big bucks from the rent from the family upstairs and the respectable recompense from the business monthly when I’m left with a rising tide of obligation as the food pantry empties? When the aliens brought me back to my livingroom easy chair where I had fallen asleep, keeping my checkbook for reasons unknown, I was on the verge of writing some checks. But I didn’t want to start a new book of checks because I hate it when the numbers leap from 9727 to 9776. My guess is that my dismay shared in the previous posting convince them to come back as I hacked away at the computer today. When I stopped for lunch, timed to coincide with the Charlie rose repeat at noon (SOLID interview with a Brazilian industrialist who spoke better English than I does), the top of the same console television that I engaged several times Monday revealed something I hadn’t seen since Sunday: my frikking checkbook.

Okay, so I’ll write checks Wednesday.

Thank you, aliens.

Live long . . . . . travel light . . . . . and proper.

News flash for readers younger than 60: starting about age 61 (your first year in your sixth decade; not your second as some bent whistles might blow) you will have mornings when you are convinced you’ve been abducted by aliens and returned with less than you left with. I’m experiencing that feeling today, and I’m having a hard time.

I’d rather have slept through Monday until 8 pm when there’s something decent on PBS if they’re not having another bi-weekly fundraiser, but I had a decent night’s rest, and I had a mission to complete. For the first few hours, I was glad I had escaped the surly bonds of bed and lurched into what promised to be a productive day. George from Rock Circus called to say I could stay home; nothing was happening at the showroom. Great! More time to get around to focusing on my Arcadia Publishing Reisch Brewery book action that I’ve dodged like a chicken thief caught in the farmer’s flashlight. But first, I had to mail the 32 pages of red-lined poetry book and 20 pages of my commentary to a friend in Arkansas.

I had agreed to share my two-cents’ worth of response to her new production when she asked me last December. She sent it after the Christmas rush, and I let it sit on my desk for a month after xeroxing the poems so I’d have a set to mark up with editor’s notes. Last week I edited/commented on the first four poems, posted that much to Arkansas along with a note that promised the rest by the first week in March. Saturday, when I was informed about 8:30 I would not be needed at “work,” I directed the entire day to my friend’s poems. The day home was a gift to me, and I would turn the time into a gift for my friend. It didn’t take long to build efficiency and growing enthusiasm for her poems. By the end of the first of about 10 almost-consecutive hours I’d spend “on task,” I was having fun. I didn’t want to stop. I even ate lunch in my office while I wrote commentary and suggestions. By 7p I knew I had to stop because I needed to eat again, and I knew it would be better for my outlook on life if I just continued Sunday. Most of the work was behind me, and I knew there were fewer than 10 hours work ahead to finish.

I’ll post a separate “ramble” about how I approach editing poetry. Suffice to say Sunday I proofread my own commentary, printed it and packed it and the red-marked pages into a large envelope to mail Monday.

DEMANDING my attention today (Monday) after learning I would not be needed at Rock Circus today was the mission of taking the pages to the post office and getting them gone from my house where their presence had accused me of being lazy and indecisive for putting off the task.

It was about 10a today that I believe I was abducted by aliens. Naturally they erased my memory of the event, so I’m basing this on what I believe happened; not on supporting evidence, of which there is zilch. All I had consumed was one cup of coffee when it happened. I intentionally put off the second cup until I returned from the post office. The errand, including a trip by the bank to deposit a few checks and get some cash, would take a half an hour at most.

I turned to grab my checkbook because I wanted to complete the deposit slip at home instead of at the bank. And I realized the aliens had kept my checkbook. I knew I had used it Sunday when I wrote a check to another Arkansas friend for her just-published poetry book. That check was waiting for the postperson in my front porch mail box.  I spent close to half an hour looking for the bleeping thing before giving up, grabbing a deposit slip from another stack of unused checks, completing it, and storming out of the house to the post office. Then I made the deposit at the bank.

My only comfort in wrestling with the notion of aliens unknown abducting me and returning me to my computer without my checkbook is the logic that suggests I was probably not shanghaid. It’s not logical. I’m not inclined to flights of fantasy. I haven’t even read Sarah Palin’s book.  But the possibility that I might have been and not knowing for sure that I wasn’t crimps the rest of the day. I can’t focus on the Arcadia book. I MUST research the business monthly articles! Suddenly after lunch, I’m sleepy and unmotivated to do much of a durn thing. I should rest, but if I put my head down on a small pillow on my office desk, the aliens might come abduct me again, and I don’t want that to happen.

Not even if they give me back my checkbook.

Yaaaaaaaaaaaaaaaaaaaaawn. (hell of a lot of good the coffee is doing me)

Live long . . . . and . . . . . . .(yawn) . . . . .  and . . . . . . proper.

Ninth Grade

Ninth grade was the happiest school year of my life as a student in Springfield School District 186. Mr. Haberle, a Spanish teacher whose room was across the hall from the stairs closest to the music room and gym, next door to Mr. Palorsi’s English classroom. I had Mr. Palorsi in class; didn’t have Mr. Haberle except for home room but tremendously respected both teachers. In homeroom I sat on the far left row by the windows about three from the front, right behind Tadd Baumann. Tadd retired a few years ago after an exemplary career as a history teacher at Glenwood High in Chatham, Illinois.
. . . He was as much an aviation enthusiast as I, and we discovered we had been building plastic model airplane kits for years.  In the course of that school year and up to near the end of my senior year in high school we visited each others’ homes, trade model kits and books and talk about what model kits we hoped Revell, Monongram and Hawk would produce and sell at Kresge’s and Hobbyland next to our junior high school in the sparkling new Town & Country Shopping Center. Tadd was into 1/48 scale Aurora kits of World War I airplanes, and I bet he built every one they produced. I was building more flying models after building plastics since I was about 7, but I still built plastics too.
. . . During this time, using mom’s Underwood manual typewriter, I wrote to most of the airplane manufacturers in the USA as “Job Conger, External Relations, Conger Products, 2016 South Whittier Ave……for brochures about their airplanes and most responded generously. Some of their brochures were cut up and pictures hung on my side of the bedroom shared with brother Bill. Many of the brocures, including price lists from Piper and Beech and a terrific publication about the executive version of the Fairchild F-27 remain in my collection today. The collection eventually became known as AIRCHIVE, later re-named AeroKnow because so many people could not pronouce those two simple syllables (AIR kive — seemed simple to me).
. . . . Mom was a stellar typist, and taught me how to type without looking at the keys. If I owe anyone thanks for being a writer today, I owe her; not only for patiently working with me over the course of maybe a month, but also for her understanding of the correct usage of our common language. Dad was precise with his spoken and written words, but he would sometimes trip into inappropropriate subject-verb dissonance. Mom never did, and she never hesitated to correct brother Bill and me when we stumbled. To this day, I have to catch myself before I write or say “I woke up at 7 this morning.” YOU know what should be said instead, don’t you? Think. . . . . . . . . . . . . . . . . and I almost always say instead, “I awakened at 7 this morning.
. . . We had a new art teacher: Terry Black, a talented oil painter and builder of stick and tissue display model kits manufactured by Guillow.  Terry painted a portrait of Adolph Hitler as though his face had been stretched and tacked to a picture frame as though placed there to dry. It was a powerful painting. My major accomplishment in his class was building an 15-inch wingspan model of an F6F Hellcat out of toothpicks. I prepared no plans for the thing; it was more a toothpick sculpture than a model. It was very fragile, and I believe I left it in the art room when 9th grade ended.
. . . . .The greatest change in my life at Franklin came with the arrival of the new choir teacher Fred Nika.To my profound chagrin, during one of our first classes, he discovered my voice could reach into the upper range, unusual because, number 1, most boys voices were evolving in early puberty, into baritone and bass voices; number 2: because even though I could sing well in baritone and bass parts, I could just as easily sing the very high first tenor parts. I hasten to add that though I had never heard the term at the time, I could not have sung the parts sung by selected young men who sang in Vatican choirs up to the early part of the 20th century. That special capability was shared at some significant sacrifice to the cause of romance, by vocalists known as castrati. I’m sure you can figure it out. The “chagrin” factor was in play because I considered high “boy voices”  effeminate, suggesting I was not a man among men.  It took me months to learn to appreciate the “up side” of my fate, which was that my ability was a valued asset to the choir, and that’s all I ‘ve ever wanted to be . . . to anyone: a valued asset. Mr. Nika organized a boys’ choir that met at 7:30 am, about an hour before school started, and a barbershop octet, which met twice a week during the homeroom periods after lunch.  Every minute in those misc groups was a delight. I never had an argumnent with a member of the chorus and smaller groups. Fred was an excellent teacher, and we got along almost like associates.
. . . Early into the school year, our choir decided to sell candy door-t0-door to raise money for choir robes. We had a fine pep talk by Mr. Nika, and sallied forth to conquer the world.  I was determined to do all I could for the cause. During the selling period of about three weeks, I walked the same streets I had known as a paper boy for the Chicago Daily News and had a fine time, talking with former customers and seeing the old addresses up close again. When the contest was over, Scott Crown, a good friend and classmate was recognized for selling the second-highest number of boxes of candy: 18. I was recognized for selling the most: 40. I was embarrassed that I had sold so many more, but he wasn’t mad at me, and I was glad to have helped as much as I did.
. . . Mr. Nika had written an instrumental piano tune called “Chop Suey” which captured my rapt attention the first time he played it. I decided to learn how to play it too. After school, I’d visit the choir room to figure things out on the school piano, and after he patiently showed me, but by bit, I’d go home and practice it on the family’s Chickering piano. By this time in my life, I was playing the home piano — by ear, of course — regularly after not touching it for a few years, inspired by Tom Patrick, the music teacher the year before who played some jazz chords I copied, then writing my own songs. I had to memorize as I went along with composing my original songs. It was a heck of a lot harder on piano, the songwriting process, than it would be years later on guitar.
. . . . . I must say that the second-dumbest thing I did in my life was NOT learning how to sight-read music. Yes, I had learned how during my “contest” (always a battle) with Miss Daigh. It would have been a challenge for any eight to ten-year-old boy who had to sit close to a 70-something woman who seemed to have an affinity for 17th century French standards of personal hygene, and who tended to perspire exceedingly when I failed to make the progress she expected. I can only imagine, with profound regret, how far I might have gone with my music if I had been as devoted to mastering the craft of reading music as I proved to be in learning how to spell, punctuate and write la lengua de los Estados Unidos.
. . . . For the record, the DUMBEST thing I ever did was not trying harder to convince Mary Ann Pullin to marry me. I’ll explain more about 20 years up the road from here.
. . .The highlight of my musical career as a student mame later in nihgh grade when Franklin’s choir attended a Big 12 music Conference in Danville, Illinois, a gathering of bands and choruses from all over the state. During a rehearsal break in the afternoon, I sat down at the piano in the middle of the auditorium as hundreds of students and teachers milled around . . . . and started playing “Chop Suey.” Less than 15 seconds into the pice (wich was about four minutes long) people started gathering around the piano, “WOW,” I thought to myself!  By the time I finished, the piano and I were surrounded by at least three hundred listeners! The sound of their applause, which erupted at the end and reached the core of my heart was unbelievable. I would not know applause approaching that for the rest of my life as a student anywhere. The memory of those five minutes in Danville can still move me to tears if I let it . . . . . but I don’t let it anymore.
. . . . .During ninth grade, mom brought home a “how to learn to play guitar” book by Mel Bay. THIS was a book I could understand! The songs were all from the 30s and 40s, but I knew most of the melodies and lyrics anyway from dad’s record collection and mom’s frquent singing old tunes around the house. After learning five or six basic chords on the Kay guitar parents had brought home from Sears & Roebuck when I was in 6th grade, I pronounced myself ready for my public debut, and Mr. Nika let me have it, so to speak, during a choir class. I sang probably three tunes, but the only one I remember singing was “Undecided.”
“First you say will, and then you won’t.
Firt you say you do, and then you don’t.
You’r eundecided now, so what am I gonna do?”….. I’d include the rest of it, but this gives you an idea of what kind of music I was learning along with “Dark Town Strutters’ Ball,” “My Buddy,” “Red River Valley” and more. At the end of my assault on “Undecided,” Mr. Nika asked the class what they thought, and Nancy Rose replied “I couldn’t understand a word you singing!” This may explain why I can’t BUY a singing gig in Springfield 45 years after the class-room antic, even though I know I’ve improved my guitar playing and am reasonably confident my disction is afleft alita bit butaf. That said, I certainly remember Nancy most every time I recite a poem, which people seem to enjoy, though I was decades away from getting serious about poetry and durn near everything else at the time.
. . . At the end of the school year, Franklin had a special awards ceremony in which two vocal music students were recognized for their achievements. Mine was the first name called to the stage to accept. The second was Randy Roland, the bass whom Mrs. Broche had had me sit next to in 7th grade to help him sing on key. The significance of this connection was not lost on me, or on Randy, and we remained distant but genuinely mutually respectful friends well into high school.

COMING NEXT: Going Nuts in Math Class and Getting Serious with Flying Models

Live long . . . . and proper.

The past two weeks have kept me focused on writing and editing as though my many projects underway were a wet towel on my prone upturned face with regular dripping of marsupial effluent on it from above. I think I’d be enjoying the circumstance — foul though it may seem to non-writers (secret revealed: one gets used to the fragrance aspect) –  if I didn’t have the incessant demands of Rock Circus interrupting the literary rhythms. The most surprising change is circumstance from the soggus interruptus is that I’ve not cracked the cover of my renewed subscription to The New Yorker in a focus-skittering month. I’ve not read a home-delivered issue of the local State Journal Register two days in a row since Thanksgiving. (Sometimes I read the SJ-R at Rock Circus, but I worked there only five days in the last 6 days in the last eighteen.

A drafts of several poems slated for a small poetry book have sat on my desk for half a month. I promised to critique each one and recommend changes here and there. The best PAID writing coming my way is from the local business monthly. That’s always the gravy on my heapin’ heppin of commitments that seem to cycle over my desk more frequently. There’s also monthly flying club newsletter, Honey & Quinin and MOST imperious of all, the Arcadia Publishing book Tony White and I are writing about Reisch Brewery. I was an hour and a half into a promising, long-delayed re-immersion into that project when I HAD to drop everything Thursday because the flying club newsletter — which I had kissed off, so to speak, because contributors had not come through — was re-engaged. WHY? A little thing called “duty” which some suggest should be called “doodie” — as in what comes from a bull’s back end if you’re younger than 17 years. It is also Howdy’s last name. Also not to be confused with “dooda” — long associated with “De Camptown Races” (perhaps they mean horse dooda) and its musical Sancho Panza better known as “Zippity.”
I believe in Duty and loyalty to friends who are loyal to me.

I departed work at Rock Circus Saturday afternoon bitterly burned out from the freezing cold showroom with a space heater that might have burned the right half of my right sock off while warming almost nothing else. I considered visiting the grocer to grab some more Carlo Rossi after drinking the last in the house about 3 am Saturday, but there will be time enough for that next week if I allow myself to be straight-jacketed into more than two consecutive days at Rock Circus. There’s plenty of tea and coffee and enough Chlli Man Chilli, bread, tuna, noodles and peanut butter to last me until Friday though the Hellman’s Mayo is running on empty.

As I put the large pan on the stove to heat water for tuna and noodles Saturday night, the sound of little feet in motion caught my ears. It was the sound of a freeloading sub-leasee. A slow, silent turn in the direction of the open kitchen trash bin, with an empty Carlo Rossi glass jug taking up most of the room on top of the full bag, revealed a mouse struggling in one- or two-second spurts of flailing legs to get a foot-hold and traction on something that would allow him (or her) escape from the bin. How it got in there is anybody’s guess, but it was obvious it was trapped.

I didn’t approach further because I didn’t want to close the bag over the mouse, in the process giving it a chance to leap onto ME in the process, risking a nasty bite from an interloper who probably hasn’t brushed his teeth in days. I did the next best thing: put some Peter Pan crunchy peanut butter onto the bait pad of a mouse trap and set it down close to the trash bin. I finished making tuna and nood’s, prepared a glass of iced tea and watched “Cops” before repairing to the office to catch up on the rest of the world. There’s no way I’m going to do any serious literary work this late on a Saturday night.

Live long . . . . . . . and proper.

The Big Bang and Moving On

We bade Terry Wilson a fond goodbye after making plans for him to visit us in Springfield later in the summer.

. . . .With July 4 approaching, mom and dad arrived to spend some time before the four of us headed south for Georgia. I was having fun with firecrackers in a meadow-like area behind the houses on Bob and Dot’s street. I had discovered how, by wrapping a coke bottle in aluminum foil dropping a firecracker with a burning fuse into the open bottle, and then running to a safe distance away, the racket made by the detonation was impressive. Since the bottle was wrapped in aluminum, it didn’t scatter broken glass in the blast like shrapnel from a bomb. Brother Bill didn’t appreciate my noise making, and we got into a wrestling match  near a recently detonated foiled bottle as he tried to convince me to stop setting them off. As I tried to pin him to the ground, he lunged up, and I fell back. When I lunged forward again, my left hand came down on a big shard of dirty Coke bottle. It cut the base of the palm of my hand at the wrist  pretty severely and put an end to our “discussion.”
. . . . . . It was a mad dash back to the house to wash the wound and my registered-nurse-sister gave 100% of her attention to the task.  After the cleansing, she wrapped an ice-packed towel around my hand, and the blood came through as though it was a Kleenex. A fast drive to the emergency ward at Wheeling H0spital ensued. The doctor was an older woman, probably in her 60s, cleaned it with serious disinfectant, then  shot some local anesthetic into the area before starting to sew it up. I was pretty calm up to the fourth stitch. Trying to show some humor, I commented that she sure knew her way with a needle and asked, tongue in cheek, if she was planning a second career as a seamstress after she retired. The woman with the needle showed no evidence of a smile, but when I glanced at Dot, it was clear she was stifling a grin. That made the remark worthwhile. At this point, the needle went in with the fourth suture and I knew instantly, the local anesthetic had not reached that part of the wound.  It took major effort for me to keep calm, but I knew it was the last one, and there was no outburst . . . . and no more effort at humerous banter.
. . . . . . From that point on, during the rest of the vacation trip, I was “the evil one” of the family because of my stupidity with firecrackers and Coke bottles. Even so, I was allowed to accompany the entire family to a threater in downtown Wheeling where we watched It’s a Mad, Mad, Mad, Mad World and we enjoyed every minute of it.
. . . . . . . Another day or two later, mom, dad, Bill and I piled into our silver-grey 1959 Buick Electra at the crack of dawn and headed south to visit Aunt Stelle and Uncle Turner, now retired from his medical practice in Leavenworth and living on a 40-acre piece of land, much of it devoted to vegetable gardening,  in Elberton, rural north Georgia, the same “neighborhood” where he had grown up.
. . . . . . Almost all the drive was on two-lane Appalachian highway through countless small towns and villages.  The year was 1961. The terrain was misty in early afternoon as though we had just missed a light shower somewhere in South Carolina. Bill was napping close to the centerline side of the car, and I sat curbside,  idly watching the detritus of civilization (junk cars, houses falling down,  abandoned farm buildings) we passed by at probably 45 miles per hour. As we approached a rural mailbox at the bottom of a driveway that disappeared into the overgrowth up the side of the hill, I noticed a girl about my age who had walked down from her home to retrieve the family mail. She was a regular girl, not wearing anything skimpy; just a plain dress, not a splendiferous face; just a nice-looking girl. Maybe 70 feet from us as we approached, she looked up, directly into my eyes, and locked onto them as mine did on hers as we passed by. Neither of us looked away. And so it continued until we were about half a block away. Then she turned to the mailbox and that’s the last I saw as we went around a bend. The memory of her face — not smiling or grinning, but not frowning either — is part of who I am today. I have since wondered, countless times, who she was and what happened to her. In a dream not long after, I asked dad to stop the car so I could walk back to her at the mailbox and introduce myself. In the dream, I calmly  told dad to continue on with mom and Bill, that I’d make my way to Aunt Stelle’s house later. It was only a dream, but it was a gooooood dream.
. . . . . . . Stelle and Turner’s farm was just a few miles south of the Caroline border, an idyllic setting:  on a a narrow two-lane deep-rural blacktop in hte middle of nowhere, probably 10 minutes from Elberton. a village not quite a town, with a granite museum. Their home was a five minute walk from Turner’s brothers Preach and Cran Anderson who farmed far more than 40 acres as they had since they were teenagers.
. . . . . . . Preach and Cran had a barn, a corral, pigs, horses and dust. Crushed rock had never touched  the dirt drive that ran up to their house and elsewhere on their land. Bill and I were the perfect ages for “big city kids”  to be introduced to be introduced to farm life, and they were storybook-perfect tutors, gentle and patient knights of red clay rural north Geo’gia. It didn’t take long to understand how Turner Anderson learned to laugh. It also didn’t take long to understand why he departed that part of the world to learn how to make a better life for himself.
. . . . . . . . . . Bill and I were introduced to pigs by being allowed to chase 15 piglets around the corral while grownups sat on the fence rails and shouted encouragement. We learned how to ride horses bareback with bridles and reins. Bill took to the large steeds like a duck to water, but though I learned how to control a horse while riding one, I felt on the verge of sliding off with nothing to hold onto but the reins. I did not learn how to enjoy it.  Their trotting gait was especially exasperating: I was told that a gallop was smoother, but I didn’t have the nerve to find out. One afternoon my new farm-converted kindred came back to Stelle and Turner’s with a young goat on a rope to her great dismay. I had never smelled a scent like that goat wore like a Calvin Klein suit, and in the decades since. I have not inhale a scent that came close. Stelle and Turner laid down the LAW that goats were VERBOTEN closer than 300 feet from the house down wind and never upwind. She later said she had to burn his clothes, but I believe she was kidding. She was KIDDING (no pun intended) . . . . . I do believe.  Bill became an almost-adopted son at Preach and Cran’s, but I found a desk in aunt and uncle’s house more welcoming than red dust and livestock.
. . . . . . . . At the desk, I designed flying model airplanes on large, yellow ledger pages that someone found somewhere. In the course of a week, I made detailed construction drawings using a ruler and a right angle I had made by folding a sheet of paper a few times. The activity turned me into a recluses of sorts during a lot of our visit. Three perfect designs came from the desk, and I kept them for years, intending to build at least one or two eventually, after we returned to Springfield, but I didn’t.  Since my left hand was still significantly bandaged thanks to my mis-deeds in Wheeling, real physical activity was unthinkable, especially in north Georgia. It was almost two weeks there before Turner (who still practiced medicine when he chose, but without an office or hospital privileges) could remove the five sutures, though he did change the dressing a few times before.
. . . . . . . It was outside their wonderful home where we had the most memorable family reunion of my life, and I wish to blazes I had taken pictures. Mom’s brother Johnny was a Buick dealer in Jonesboro, Georgia just outside Atlanta, and he had married a woman I fell “in love with”  (I was in 8th grade) on sight. Today I don’t even remember her name.  She was blonde, had a southern accent — down there they ALL had southern accents! — as soft as mom’s but sweeter somehow, and for all I know, she had been a model. Their kids were my cousins — Brock and Scott if I remember right — nice guys, a little older than me. None of my war regard for Brock & Scott’s mother was apparent  during the reunion picnic on long granite slabs of tables mounted on mortared brick pedistals,  in aunt and uncle’s back yard.
. . . . . . . I hope the entire Jones family could know how much I loved them and how I wish I had known them better. Johnny Jones was a great fellow. The whole family were great people!
. . . . . . During our stay, we visited world’s largest granite mine, a big quarry with water God only knows how deep in the bottom. The afore-mentioned granite museum was part of a giant plant covered with corrugated galvanized steel,  processed granite for shipping to suppliers all over the world. cutting, polishing and sometimes engraving it for cemetery head stone wholesalers . We purchased small souvenir pieces of phished granite with stickers on them that read “Souvenir of World’s Largest Granite Mine, Elberton, Georgia. I kept mine for many years after in dresser drawers and junk boxes. Today I work for a granite fabricator. Small world.
. . . . . . . .l  Dad gave me my first driving lessons along Georgia blacktop during the visit. I was permitted to practice in the long driveway that lead from the blacktop into Stelle and Turner’s house.  It was good fun and made me pretty confident about learning how to drive in Springfield when I became old enough.
. . . . . Near Elberton was a stream that wasn’t deep enough to navigate by boat, but was a natural theme park ride with its fast-moving water and gentle rapids that flowed over algae- (or some green plant) covered rocks. there were places where locals could  park, picnic and swim in the calm parts of the stream and ride sitting down, pushed along by the stream, dow the rapids, descending probably 20 feet in a quarter-mile part of the stream and then walking back along the bank. In some places the water was deep enough we’d fully submerge but quickly surface as we were pushed along mid-stream. On the three occasions when Bill and I did this, my recently-stitched and bandaged hand was protected by a big reen dishwashing glove with a rubber band almost at the elbow sealing the arm and keeping the water out mostly. Even when my hand got wet, there were no complications.
. . . . . . . About half-way through our stay with aunt and uncle, Turner removed my stitches and pronounced me fit to continue living. He also prdicted that based on the size of my head, I would grow to 6 feet, 4 inches in height. I was pretty proud, considering I was years away from the age where, according to Turner, I would reach that lofty altitude. As things turned out, I reached about 6 feet one inch and felt fine at that height. I will always remember and respect Uncle Turner’s cool confidence and competence and rock-solid composure. He was so much like the actor who played Paladin in the TV show “Have Gun; Will Travel — Richard Boone, I believe –  with the same eyes and pencil-thin mustache.  The voice was sparkling gravel: arresting and music to the ears, as much as Stelle’s  was whipped sweet cream to the ears.
. . . . . . . Aunt, uncle, mom and Bill loved to fish. Dad and I were part of the process because we enjoyed being outdoors. Even dad fished. I did not.  A dam was being built by the US Army Corps of Engineers near the border of Georgia and South Carolina, an hour away from home base. We journeyed there once to fish in an area that was gradually filling with water held by the new dam. It would become a new, large lake. There was a crushed white rock road off a two-lane road that descended gently to a gravel-covered parking area, and we walked from there, probably 3/4 of a mile, though waist-high reeds into water deep enough for fishing. After an hour of this, I returned to the car and watched the dusk arrive. It was a beautiful part of the country, and the sky was incredible.
. . . . . . When my family departed Elberton  for home by way of Lookout Mountain, Tennessee, I didn’t know, but it was the last time I’d see Uncle Turner. I had not had a particularly wonderful time during that visit, but I look back on it as the vacation trip I would most like to do again as an adult with the same wonderful people.

Coming next  — Ninth Grade

Live long . . . . . . and proper.

Springfield Classical Guitar Society welcomes Angelo Favis to Springfield’s First Presbyterian Church, 321 S. Seventh at 8:00 tonight for the second of the season’s four concerts. Tickets are $12 for adults and less for students and young people. The internationally known artist has enjoyed a storybook career as a solo guitarist, has performed in concert all over the US and judged several solo competitions. Of Filipino ancestry and a specialist in the music of his homeland, he is also a major supporter of contemporary compositions for classical guitar. That said, most of the music slated for tonight’s concert is familiar to fans of traditional baroque and classical music. His concluding selection will be “Variations on a Philipine Folkksong Lulay,” and will be well worth the listen. He currently teaches at Illinois State University in Bloomington-Normal, Illinois and has recorded two CDs of his homeland’s music which will be offered for sale after the concert.

Angelo played at an SCGS concert during the early years of the organization, and it’s great to welcome him back to our town.

I will be in the front row with camera, and I will be looking for YOU during intermission. For more information about Springfield Classical Guitar Society and pictures from recent concerts, visit http://www.aeroknow.com/arts/classical6images.htm
 
To be sure of getting a better seat, arrive no later than 7:45.

Live long . . . . .  and proper.

Salsa at Sangamo Club

Those who consort with wanton marsupials might say it was “the one-yeer anniversary” January 19, 2010 when “Springfield’s Ambassador of Salsa” engaged about 30 members of Springfield, Illinois Sangamon Club in a festive fast-moving (literally) Latin-American dance workshop that concluded with gusto and smiles on every face, even the blogger/photographer’s! The year before, to hour and the day, I had taken pictures at a packed Theater 3 at Hoogland Center for the Arts, site of Julio Barranzuela’s first big-time downtown salsafest.

Julio had asked me to attend because he knows — as so many do — Job Conger is “Springfield’s Photographer of Salsa.” There was a minor misunderstanding regarding the time so I missed the dinner but arrived in time to share Julio’s concluding introductory remarks in the second floor ballroom, replete with the rug typically occupying the center of the ballroom on occasions when there is a gathering sans dancing, rolled to the side like a giant infield tarpaulin at Wrigley Field when rain threatens. The elegant polished wood dance floor thus revealed was an elegant touch and absolutely perfect for the gradual crescendo of delight that would follow.
Mi llamo es Julio and I have come to teach you to have fun.

During the introductory remarks, Julio explained the theme of most of his presentations: “Salsa Is a Metaphor For Life,” and from his practiced delivery it made good sense. I’d say more about it, but to really appreciate his message, you should “jear it from Julio.”
If you can count from 2 to 4 consistently . . .
Couples were instructed to line up facing their partners on opposite sides of the polished floor, and from the center, facing the men on his right and the ladies on his left, he began teaching the salsa, which is the most basic of the three he would present. Even taking his time to be sure everyone understood and could move the basic moves, time moved fast. It was a sharp group, most everyone had previous time on a dance floor from what my untrained eyes could tell. At first it was mastering simply counting and placing feet where appropriate for each number in the move. During this time he directed the couples closer together, building some tension and anticipation which kept everyone interested and smiling as though opening presents on Christmas morning. The three-step, initially mastered was then engaged with music. Then Julio introduced the complete six steps to the salsa, first counting without music; then with music. There was time given to enjoy the dance, to get into the groove of the moment.
salsa to the 2-3-4
They took a break; replenished their wine at the bar ably tended at the back of the ballroom. Sat and chatted with each other. After probably 10 minutes, the teacher called his eager students back to action and taught the Merengue and the Bachata. Assisting throughout the presentation was his fine lady friend. I was too busy behind the camera to remember her name, but she deserves half the credit for the dances well demonstrated. It was as smooth as single-malt whiskey sipped to a melody by Julian Bream. Did Bream write salsa music. I don’t think so, but I’m sure you get my point. The crescendo of growing delight reached its zenith in the final 20 minutes. It was after 8:00 by then, and some of the participants had departed the ballroom, little knowing what they would miss.
Conga - short for Latin-American dancing snake
The final session was what I call “the Jello-wrestling close to earth part.” Julio is too smart and too nice to call it that, but this is my blog, not his, and I’m calling it as I see it — or seen it, if you consort with wanton marsupials. Dancers were given some instruction about the  finer points of Latin American dancing and invited to let their hair down, so to speak, so to dance . . . to just have fun. Julio also had a Latin-American friend sing some ballads in Spanish, karaoke-style to recorded accompaniment. The fellow was good. To come close, you’d have to pay a $10 cover charge at a Chicago or Miami bistro! After a few songs, things really began to roll with a conga line and incredible energy and delight on the dance floor. Friends and family of Julio’s who had been watching from tables on the side even joined in. It was a musical fireworks display for the ears and eyes from where I stood, and the dancers had the real fun!

They could have danced all night.

It was clear the rest of the evening was in wind down mode as participants began to depart, thanking Julio for a great evening. As a photographer who loves the music and the energy, I feel like a fisherman who loves to fish, but who doesn’t eat fish. I know I’m not dance floor material, but I had great fun behind the camera. But there are many places to have fun behind a camera; only one way to share a night as much fun as the one I witnessed January 19 at the Sangamo Club on the first anniversary of Julio’s first major presentation in Barranzuela-seasoned heart of Springfield, Illinois. I had a great time, and when you attend Julio’s next dance presentation, you will too!

Live long . . . . and proper.

Let’s Just Sit Around

Let’s Just Sit Around
by Job Conger

Long years ago, somebody said,
“There’s too much fighting and people dead,
And though the concept may seem crude,
You can’t make warefare when you’re nude.”
Today in these uncertain times –
A rainbow conspiracy of crimes –
It leads me, where I’m comin’ from,
To conclude that concept’s time has come.

So lets not study war anymore–
It leads to pointless killing.
And let’s not study philosophy –
The quest is unfulfilling.
Just lock the door and dim the lights
and close the draperies tight.
I want to be with only you –
Hey, let’s just sit around naked.

The modern po li ti ci an
Reveals himself most in the can
Where nature’s forces do prevail,
No matter how loud tongues may wail.
They’ve nothing, more or less, to say
They didn’t tell us yesterday.
Yes, I admit, I tend to scoff,
So turn the television off.

No, let’s not study Pat Quin more;
He makes my stomach do wierd tricks.
And lets not watch the Fox anymore
With its Simpson style of politics.
Unwrap some cheese, uncork some wine
And disconnect the phone.
My eyes desire only you.
Hey, let’s just sit around naked.

In summer heat and winter ice,
Folks say I’ll never find paradise,
But if I can believe my heart,
I think I’ve found a running start.
I’ll not see Paris in the spring,
But in the land where corn is king,
The “Promised Land” I want to know
Is found between your hat and toe.

So let’s not study maps anymore –
They only lead to travel.
And let’s not study roads anymore –
All turnpikes lead to gravel.
Forget the highway. Put McNally
On the old bookshelf.
We will not need the car tonight.
Hey, let’s just sit around naked.

written August 24, 1992
===================================
This was a romp in whimsy written with no one in mind. I included it in my first book of poetry and song lyrics, Minstrel’s Ramble: to Live and Die in Springfield, Illinois copies of which I offer for sale wherever I am invited to recite and sing. The verses are intended to be spoken in the same tone as the hit “Hot Rod Lincoln” as I accompany them on guitar, and the chori — okay, choruses — are sung to a melody I wrote.

No No = Yah

No No = Yah
by Job Conger
(with apologies to Yo Yo Ma)

(introduction)
. . . . The words aren’t any easier to say,
. . . . and rubbing people’s ears in it does nothing positive.
. . . .Indeed, I truly wish there were a way
. . . . to untangle the contortions of this “lingo curiositive:”

I don’t want no hassles –
I mean
I don’t want hassles –
I mean
I want no hassles;
I just want to set the record straight.

Convoluted talk ain’t worth nothing –
I mean
Convoluted talk is worth nothing –
I mean
Convoluted talk is worthless,
and I want to set the record straight.

“There must be some way out of double negatives,”
the joker told the thief.
“They’ve lowered the pole to accommodate the lingo laggards!
I can’t get no relief –
I mean
I can’t get relief  –
I mean
I can NOT get . . . . sa tis FAC tion
and I want to set the record straight.”

Clear talk is not beyond nobody –
(DAMN!)
Clear talk is beyond WHOM?
NObody!
Clear talk chimes with everybody
when you want to set the record straight.

You imitate no “white person’s tongue.”
You imitate no “poodle dung,”
You demonstrate what’s right from “wrung”
when you speak to set the record straight.

Just see now well it works for you.
In times with language is all askew,
the world will groove on your coolness, and I will too
when you set the record straight.

written September 4, 1994
==================================
I wrote this poem during my poetry renaissance, when I believed in the power of poetry and worked to make the community a better place to share poetry.

I still believe in it.

The poem was one of the first I wrote to be self-accompanied by my own guitar arrangement. No one particularly cared for the song during the #43 years since no one seemed to particularly understand what I was saying. SURPRISE! (not). But as the wise-cracking cowboy from Yale might say, The times, them is a changering.

Through the Valley

Nutty times, these. I am letting Rock Circus drive me nuts, and in the crescendo of my dismay, I am unable to find redemption in pursuits that once were my raison d’etre.  If I work on my tomorrow I must neglect my today. Without devotion to today, I forfeit my tomorrow. 

To escape the crescendo I wallow in solitude and silence.

This weekend I am committed to finishing a simple article about a fellow I gained tremendous respect for when I interviewed him for an article in a business monthly. I respect anyone who can hold a job more than five years.  I should be working on a book for a national publisher this weekend instead of working at Rock Circus.  When I return home from this charade of propriety, all I will desire is sleep, and not because I’m tired.

I should be working on the book I’m co-authoring for a national publisher, but the easier option is to continue with a magazine indexing project for AeroKnow because it needs to be done sooner than later. I don’t even like doing the indexing because it’s tedious work toward an end that is not in sight. Will it matter — when I post the completed project in a month if I’m lucky — that  a review of the Choroszy model company’s 1/72 kit of the Focke-Achgelis Fa-223 appeared in the December 1998 issue of Scale Aviation Modeller (Don’t finger me; that’s how they spell “modeler” in England and that’s where it’s published) and that it has color pictures of the details of the airplane and a five-view drawing with cross section templates? Today, it matters to me, more than anything else on my mind,  that aviation enthusiasts will learn this when I upload the index. And in the interest of not despising the countenance in my mirror when I trim my beard tomorrow, in the interest of self-respect, I will work on the index because the sooner it is done, the sooner I will devote more-focused attention on the book.  After I index probably five magazines on arrival home, I will spend some time with the business monthly article. I’ll finish the article Sunday and send it to the editor becore sundown. THAT is a piece of cake really, a task I would enjoy more if I were done with the indexing. The easiest activity in my life is journalism.

So I won’t attend the art gallery receptions tonight, with or without my camera.  I have “planted” far more lofty expectations there than I have been able to nurture to happy harvest.  The best I can do is say no more than that. There’s no gain from ranting a litany of regrets. Better to stay a neutral stranger than a disappointment in the eyes of people who barely know me. Another thing I won’t do is drink myself to an un-natural nap with my friend Carlo Rossi. In the final analysis, no matter how much I desire escape in sleep, the only way out of the valley is by spending more time conscious and productive.  There’s no alcohol in the house, and thing will remain that way for another two and a half days until Tuesday.

I have to come back to work on Tuesday.

Maybe I’ll  just buy more ice cream bars instead of another gallon of Burgundy. Better to be reallyreally overweight and lucid than under the influence of Rossi and almost as overweight.

Live long  . . . . . . and proper.

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