new poem/song lyric – So It Seems

So It Seems
by Job Conger

I’ve had me some sweethearts who said they thought me wise,
Traded love for some bountiful baskets of lies.
It was all so mercantile, I recall with a sigh.
It seems I was born to be a single guy.

Hysterical romances all ended in a huff.
I haven’t loved often or even enough.
But I’m done with this fool’s game of wondering why.
It seems I was born to be a single guy.

(refrain)
There were no greater thrills, passions more fine
Than lusty tussles, kisses sweeter than wine.
But those were yesterday’s joys. Now I contemplate
Life chasing different dreams as master of my fate.

Together-forever hopes, duets in the sun.
I had my chances and I blew every one.
Panning for gold in the waste of woe — you know it’s folly to try.
It seems I was born to be a single guy.

No more quilt and antique shopping, there’s more room to stretch in bed.
I don’t have to pretend to like her friends; I just have to pretend to like my friends instead.
I’ve not vacuumed my living room since last Fourth of July.
It seems I was born to be a single guy.
It seems I was born to be a single guy.

=============================================
I wrote this song several years ago, knew I wanted to sing it as one of four pieces I intended to share at a local open mic night. I could NOT find a copy at home, and I could not access my office computer until the next day, so over the course of the day at my employer, I gradually recovered an essential five lines from searching the long-term memory in my brain. I was amazed that I could do it. Then I printed the song at work to take with me to the open mic and practiced the song, with my guitar at work (it’s okay; it was a slow day) but I didn’t practice it enough. The performance of this song was the worst I’ve done in public, and that’s saying something! It’s not easy for me to sing this song — nobody wants to make himself look like a looser — , but I am somehow compelled to share it as I get older. It’s a legitimate part of the man I am. I DO plan to sing it again after I’ve practiced it a hellovalot. Thanks for sharing it here.

Live long . . . . . . and proper.

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folksong lyric — Take Two

Take Two
by Job Conger

(introduction)
For months President Bush fed us lies
Served by pious, righteous cronies sleek and wise.
Some of us didn’t care to dine on their siren soup du fear
.Now digestion time is over, and the truth is odiferously clear . . . .

He’ll sing and dance like few Yale frat brats can
When W’s feces of lies hit the fan.
Though he sold us a war, second guessing is a drag.
It’s amazing what some folks take home when you wrap it in a flag.

He has stained our proud Stars and Stripes true
With new colors of brown, black and blue.
Those who saw through his blow,
We ain’t real Americans no mo
As W’s feces of lies hit the fan.

Front yard PATRIOT signs are the rage
Like armband fashions of an earlier age.
The feared weapons are as real as “the emperor’s new clothes.”
The facts should be clear to all who breathe through their nose.

The Congress feasted on pork barrel pie.
The “sounds of silence” was their battle cry.
They stayed cool and well-fed
While soldiers brave died and bled
And W’s feces of lies hit the fan.

Now he tells us “Saddam had to go!”
“Nobody ever really liked that guy, you know.”
Though the U.N. tried hard, they could not find a trace,
So the “compassionate conservative” threw war in their face.

So, as we hold noses tightly and pray,
It’s time to send CHIEF INSPECTOR O.J.
For gasless, germless blue skies
Can’t match a PRO’s alibis
As W’s feces of lies hit the fan. 

—– written June 26, 2003
================

The song was my “mantra” during W’s ‘rain of you know what,” but even songs, like wars, don’t seem to move folks the way they used to. I will play/sing Page Two in public for the first time in years at Springfield Poets and Writers Group’s Open Mike Night, March 20 at Robbie’s Restaurant on Adams Street — Springfield’s South Side of the Square along with my songs “Watching the Tide Go Out” and the song I wrote about my early days of treatment for my separated kneecap repair at Memorial Medical Center. I’ll also recite a favorite Vachel Lindsay poem as always. There will be talent and awesomeness a plenty, so please attend if you can. The fun begins at 6 pm. I hope to see you there.

live long . . . . . and proper.

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new poem/song lyric: Here’s to the Spirit

Here’s to the Spirit
by Job Conger
written 5:30 pm, December 21, 2005

(chorus)
Here’s to the spirit of hope in our hearts –
The spirit, the ghost or the flame –
That shows you the world with the gift of a smile,
No matter the credo or name.
In the darkest of winter a warm breath to brighten
Horizons of those who are dear.
Yes, here’s to the spirit that moves us to love
And here’s to a happy new year.

Life is a voyage through tumbling tides
In the quest for safe harbor and land
As we seek sweet surcease from our sorrows and pain,
When the sailing’s not smooth as we planned.
Blame your dad, blame the devil, blame a deck of bad cards,
But they won’t wreck your ship on the shore.
When you stand at the helm, show the world that you care,
And you’ll reach where you’re going and more.

(chorus)

The world will be better from what burns inside,
Not from whining and running away
To a bottle or needle or palavering cult.
What you need, you should be. Show the way.
Let the glow of true passionate dreams light the world,
And the lasting rewards they will sing
As the dawn of each new day to arise to our hopes,
And we’ll know life is worth everything.

Yes, here’s to the spirit of hope in our hearts –
The spirit, the ghost or the flame –
That shows us the sun with the gift of a smile,
No matter the credo or name.
In the darkness of winter, a warm breath to brighten
Horizons of all we hold dear.
Yes, here’s to the spirit that leads us to love
And here’s to a happy new year.
Yes, here’s to the spirit that leads us to love . . . .
And here’s to a happy new year!

===============================
When I have an idea for a poem or a song, it’s as good as written. The challenge is to allow myself to make the time to be open, to let the inspiration come to me as it did December 21, 2005.  For several years, odds were pretty good that if I wrote a poem or song at ALL, it would be written toward the end of the year. I knew I wanted to write an exhortation that wasn’t “preachy.” Instead of saying “YOU SHOULD FEEL THIS” the approach was to TOAST The SENTIMENT in the chorus. Instead of “preaching” in the chorus, I wanted to “exhort,” and I believe I did. Listeners/readers aren’t asked or directed to do anything in the chorus. I’m simply toasting the day. I wanted something akin to an Irish sound to the melody, and that was easy. As the poem’s chorus lyric, the major element which I wanted to repeat, came together the melody came before I had written the first three lines. The verse varies only it words. It has the same melody as the chorus. I will record the song on Sound Cloud, and send it as a document to anyone who commends about the song and asks for the recording. Best wishes to you for a happy new year.

Live long . . . . . . and proper.

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Return to Chi’ (or) I Didn’t Even Change My Shorts — part 4

At the Chicago History Museum gift shop I had purchased a Dover Press edition of Carl Sandberg’s book Chicago Poems (first published in 1916) and a unique souvenir shot glass with a metal medallion attached to one of its four squared sides. The woman behind the counter (beautiful, Nordic/Swedish, friendly) had begun to put them into a paper sack after carefully wrapping a generous layer of packing tissue around the glass, but I waved off the sack. “I’m a tree hugger,” I explained, and she graciously handed me the wrapped shot glass which I put into my front right jacket pocket, and the book which I had put into my inside left jacket pocket. I knew I’d be reading it on the train, and it was time to boogaloo back through Lincoln Park and onto Union Station. From my previous foray into the Windy City Wilds, I had learned to travel light and to return to the train station early. I didn’t want to be the 196th of 200 people boarding the southbound #305. The timing was perfect.  We arrived at 4:15 for the 5:15 departure, and there was an unexpected bonus.

En route to the bonus, a near panic as I entered the ground floor waiting area and stuck my hand inside my jacket to retrieve the ticket I had put into my shirt pocket. It was not there! I knew that’s where it would be, and the prospect of trying to board the train without it flashed before my eyes! I groped, guessing that if it hadn’t fallen out the bottom of my jacket, it might still be close to my shirt . . . . and I was right. I found it. Chances are that if I had n0t worn my vest to Chi’ from Spring’ that ticket would be blowing over the hinterland between the History Museum and Union Station. “CHEEses,” I thought to myself. “That was close!”

I arrived early in line at 4:20 with only eight or nine travelers standing or sitting on the floor. One was a late 20s fellow, sitting on the floor against a structural pillar, surrounded by about 8 pieces of luggage. He was in line for the southbound train that would depart from Gate C after mine. We talked briefly, and he asked if I’d watch his luggage for him while he went outside for a cigarette. “It’s been too long, man,” he said. “I’ve gotta have a smoke!” I wasn’t going anywhere, and I was happy to keep my place in line by his bags. He returned in about 20, a happier, satisfied man.

One thing about traveling with a guitar. I seem more inclined to talk with strangers, and strangers seem more inclined to talk with me. Hell, I could be James Taylor with a theatrical beard for a disguise. And any stranger could be an entertainment booking agent which I need badly.

About 4:45 a pubic address announcement advised all passengers planning to board the #305 who were under 18 and traveling alone and all passengers 62 or over to make a separate line at the entry portal. We would be the first to board the train. WONDERFUL!  GREAT IDEA! THANK YOU AMTRAK!          And so we did.

It was a breeze. This time I placed my bag and guitar in the overhead rack. At 4:50 I sat down in a window seat that would be fine for photography, even though it was getting too dark for any pictures. Ten minutes after I sat, the rest of the passengers came aboard. Again, every seat had been sold. The train began to move at precisely 5:15.

Among them were several disappointed Chicago Bears fans festooned with a variety of “officially authorized” NFL attire. From their long faces, it was obvious their team had lost to the Green Bay Packers. Passenger Dave was a Bears fan. He sat next to me for the next few hours.  We said all of 10 words to each other for the duration.

It was what he didn’t say to me that moved me. Early into the trip he closed his eyes and sat quietly. When a call came in on his cell, he explained to the caller he was on his way, the Bears had lost and that he couldn’t talk now; he’d call back. Not long after, a second call came. It was obviously the person he had cut short earlier. He called her Jodie.  Their 11-year marriage were coming to an end. In the course of the conversation, Dave told Jodie he considered the 11 years “wasted.” They had two kids who would stay with her. He would stay at their house until the new year for tax and accounting purposes, but he would move out in January. Several times he tried to make it clear to her that even though she had not explicitly told him she didn’t want him in her life, it was obvious to him, and he was making it clear to her it was over. He didn’t understand why she wouldn’t say it.  Conversation over. Twenty minutes later,  another phone call. One of the kids. No conversation about the coming separation. Soon after, another call from Jodie.  Dave was concerned that she would not be there at the station to pick him up. Was he going to have to take a cab? He wanted to know. I don’t know that she agreed to be waiting. It was unsettled when he ended the call.

On the way to Chi’ they announced we would accelerate to 110 miles per hour on a stretch of newly improved track. From my window, looking at the countryside, it felt like we were going 110 mph. On the return trip at about the same place, they announced that typically we would travel at 110, but not tonight. There had been an “equipment malfunction.” No problem. I was in no rush.

In the meantime, I was getting sleepy and began to worry about missing Springfield. I went to the dining car tor a can of Coke with a glass of ice and brought it back to my seat. It gave me some energy, and I knew I’d be fine.

When the train stopped at Bloomington, several passengers exited the train, and Dave moved to sit with a friend a few rows back. I now had two seats to myself, and just to experience the view from the aisle-side I moved one to the right and brought my overhead book bag down. Then I took a self portrait.
Until I had departed the train, the trip had been terrific. It went south when I discovered there was not a single taxi waiting outside the station. This was a first for me. I roamed the lot; found not one. I even asked a few people obviously waiting for a ride if they were waiting for a cab. Three polite shrugs and shaking heads and one “No, I’m waiting for my husband who is coming to pick me up.” (lucky man) I was told by station personnel that cabs often parked by the curb on Washington at the “designated (there was a sign) cab parking place.” There was no cab, but a fellow was standing there. I asked if he was waiting for a cab, and he said yes, he had called one. I am guessing he was a first time cab caller from our station because I knew cabbies park near the entrance to the station. At that instant, I saw a Yellow Cab arrive probably 200 feet from us, close to the station entrance. I said “I see a cab right now. He’s over there,” and began walking toward it. . . .

I knew I had not called it, so my first words were “May I share this ride?” The driver asked if I can called, I said I had not and pointed to the fellow walking toward us. “It’s up to him,” the driver said. After determining that the other fellow’s destination was on the direct route to my home and that he would get out first, I took a seat behind him.

The ride was a breeze. I walked the last half block from the nearest street corner to my home. I walked through my front door and glanced at my watch. 10:01 precisely.

Live long . . . . . . . and proper.

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Return to Chi’ (or) I Didn’t Even Change Shorts — part C

I awakened about 9:30 after one of the best night’s sleep I’ve had in months. The location was Peter and Byung’s office-turned-guestroom on the ground floor of their condo, a scant 15 feet from the guest bathroom with the night light above the vanity. I had said my goodnights to my hosts and their friend Chris, a delightful woman whom I thought might go out with me if two of us lived in the same city. She was so charming that before I toddled down to the guest room with a final nightcap of all the Sauterne wine I could pour into a medium-size glass without likely spilling any, I gave her a copy of my book Confluence of Legends. It was third of three I parted with during my visit, the second of two I gave away.  I was so at peace with the world that I almost forgot about the pair of shorts (Fruit of the Loom if you must know) I had packed for the excursion. I did, in fact, think of them. I considered the circumstance. I hadn’t perspired much over the last day. Everything in the shortsall area was commendably clean and un-offensively scented. “What the hell?” I said to myself. “I’ll save these shorts for Monday.” And I did

!Peter had invited me to come upstairs to their living room and read when I was ready to meet the day, explaining he is a “night person (as is Byung) and would not likely join me until pretty well into the morning. I was fine with that. While waiting, I finished the Mozart biography I had started the day before on the train. It was a small book. Peter and I were munching sliced apple and sipping coffee by 11.

Then it was time to roll. I can’t remember the names of the main roads traveled but I know beyond a shadow of a doubt that if Peter had not taken a liking to me when I recited at Vachel Lindsay’s house in October 2010, I would have passed to dust having never shared this vista on a Sunday morning in Chicago. I consider Peter to be the A.J. Foyt, the Mario Andretti, the Sterling Moss of high-speed driving!

The second picture here has been slightly retouched.

First stop on the day’s itinerary was the Chicago Zoo.
This part of the zoo is a small farm which is there to educate children of Chicago who will never see a farm: denizens of the city deep, who will never travel to rural USA far removed from a four-lane highway. I know this because Peter is a Chicago historian and tour guide for hire among other laudable attributes.
 

We parked in a free parking curbside area near the lakefront. “On a clear day, you can see Indiana from here,” he explained. I was happy to see the lake; mad a memo to self to see more of it after the weather warms.  The zoo was closed for the winter, but the walking paths we well engaged by many on foot.

From this board walk, visitors in summer rent paddleboats to putter around a large, sheltered pond close to Lake Michigan. This area is part of Chicago’s Lincoln Park.

One way to be certain you’re in Lincoln Park is this statue of Ulysses Grant on horseback close to the lake. At Chicago’s Grant Park, they boast a fine statue of Lincoln so visitors will know they’re in Grant park. This is a long telephoto pic, and I would looooooove to spend an entire morning or afternoon roaming this territory and getting close to Grant’s statue and beachfront.

Another way to know you’re in Lincoln Park is this statue of Benjamin Franklin. That’s Peter posing for a picture he probably never thought would appear in this blog. The morning was chillier than I looks here. We were walking into a moderate headwind. It was good to know that the return to the car would be helped by  a tailwind.

Mr Franklin was in good spirits. Must have been his hardy Boston lifestyle!

We were heading for the Chicago History Museum, a major attraction which should be on every visitor’s itinerary. It’s across the street from a major evangelist’s church, a beautiful brown stone complex with a sanctuary that seats about 3,000, Peter explained. He knew that the Sunday service had concluded shortly before we arrived on the museum side of the street, and he was curious about the place. So was I. There were still many attendees exiting the building after socializing, and the atmosphere was incredibly warm. Not a frown to be seen. We had no trouble entering that famous sanctuary and taking a few pictures. No one approached us and asked who we were or the purpose for our visit. Everyone was focused on their reason for being there; not ours.


I could have spent an hour photographing the sanctuary.

This is the view of the Chicago History Museum from the front of the church.

Photography inside the museum is a challenge because of  the contrasting bright lights and moderate overall ambient light. Human eyes adjust to it better than cameras, but the displays are a real “tour de force” not only of Chicago, but of the culture of the USA as well.

The woman is reading a very interesting, nutshell chronology of the land and the city. I knew the instant I saw her that I wanted to photograph her, but she was moving to the right faster than I hoped.  I neither know nor care what the door is on the right, and I know it’s a visual “ersatz element in this picture, but I did not want to interrupt her to ask her to “pose” for a picture more to the left.  I would have lost the authentic moment, and I do like how she stood at this fleeting half a second as she read the text on the wall.

My true “photo harvest” from the museum came as we approached the stairway to the ground floor.

The second picture is from the same position at the top as the first, but I stood closer to the edge to reveal the poster.

Looking back up in the direction from whence we came.

A final savoring of line and form.
Visible to the right of the fountain (closed for the winter) is the Chicago History Museum. Across the street is Ellie’s where we ate a fantastic lunch. It was terrific.

A last look at a memorable museum.

I had a train to catch (that would depart Union Station) at 5:15, and we wanted to be arrived at the station with plenty of time to spare. En route back to Peter’s car — in fact almost across the street from it in Lincoln Park — we encountered this steel sculpture, another amazing presence . . .

A pose of the wayfaring folkslinger (photo by host Peter). With Peter’s talent at the wheel, the trip to the station was a breeze.
Live long . . . . . . . . . . and proper.

Coming next on Return to Chi’ (or) I Didn’t Even Change My Shorts,  I have a picture perfect return to my home town as a sobering story unfolds before my ears. Look for it Sunday.

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Return to Chi’ (or) I Didn’t Even Change My Shorts, part 1

I had been on the train to Chicago about two hours before I toot the first picture.   The burned out  building across the track from our stop at Pontiac, Illinois  was typical of the mood of the rainy, dark and drab morning since leaving the Springfield Amtrak station at 6:32. The land tells a tale of woe in winter. The one ray of sunshine that entered my picture was a young woman who boarded the coach class car a few minutes after me, who approached as asked if the aisle seat beside my window seat was taken. “It is if you would like to sit in it.” is what I should have said, and whatever I said worked because  she sat down. From that point on, as the Number 305 began to roll, I knew I was one of the luckiest passengers on the train.

I was in no rush to be chatty, and neither was she; a good thing.  Thanks to the rainy sky and hour of the new day, the whole car seemed hushed. A few passengers, obviously aboard since St. Louis or before had taken advantage of the seats with spare empties and stretched, to occupy both in blissful slumber through the night. There would be ample time for talk in the coming 3 1/2 hours. I glanced peripherally in her direction as she pulled out a Sports Illustrated, thumbed through it, stopping to read an article, it seemed, then looked over some papers from a computer printer. This took about an hour and a half.  I stared out the window at the darkness, mildly perturbed that the seat was positioned awkwardly behind the closest window. To take pictures when the sun rose to the occasion, I’d have to lean forward. It was really going to crimp my modus operandi, but as the light began to creep into the morning, I knew I wasn’t going to photograph anything significant anyway with the rain drops all over the window. There was no point in gazing into the dark so I began to read a small biography of Wolfgang Mozart I had brought for such a glum circumstance.

My trainmate sat still, eyes closed, no doubt, dozing. I know this because people don’t open their months slightly when they are meditating or feigning slumber. When I first noticed, her head faced pretty much forward, but over the miles it rolled to her left. I know this seems crazy to confess, but I felt I was watching something sacred as she slept. I glanced at her probably five times over that quiet hour, and never for more than a few seconds at a time. I didn’t want her to awaken to see me watching her. After her nap we began to lob remarks back and forth, and gradually began to converse. The entree to what would be civil, convivial patter for the rest of the journey was my asking her, “Are you a dancer? I noticed you reading the Sports Illustrated when we started, and I thought you might be with a ballet or something.”

No, she was not a dancer although she volunteers for an arts organization in Quincy, Illinois where she lives and works. She was coming to Chicago to go shopping and take a break from the home town. We chatted about Quincy and the times I had enjoyed there when on the road selling Encyclopedia Britannica. I was surprised she had not yet visited the Quincy museum, across the street from what used to be the Lincoln-Douglas Hotel where I used to stay, now a home for senior citizens.  I introduced myself; told her my name is Job and asked her first name.
She was Anna Lee. BEAUTIFUL name! Later, after we had talked awhile, I asked if I could take her picture. She said “yes.”

When I boarded the train, I had put my laptop computer carrying bag in the overhead luggage, but had placed my guitar, soundbox to the bottom and neck up, between my legs. Eventually, it entered the dialogue as I explained I was going to entertain at the Christmas party of some Chicago friends, Peter and Byung who had been visiting the Vachel Lindsay home State Historic site in 2010 when I was featured speaker at an event there.

As we rolled along I snapped a few pictures of the scenery outside, but my heart wasn’t in it. The weather was not my friend.  I recognized a lot of the scenery from my trip last year when I spoke, recited and sang at Chicago’s College of Complexes, thanks to the invitation and hospitality of my new friends Peter and Byung. I took probably three more pictures, and, two days later,  after reviewing them, decided none were fit to share.

As the train began to pull away from the Joliet station, I remembered to call Peter to let him know I was this far into the trip so he could start out for Union Station to meet me curbside by the CVS Pharmacy, I dialed his number.  . . . . . . . . . . . . . . . .

. . . . .   and discovered no answer and no voice mail! DANGIT! Peter had lost his cell phone and had told me earlier in an e-mail he’d be borrowing his wife’s on Saturday morning. I called her number five times. The only result was that I learned, beyond a shadow of a doubt, that his charming wife, Byung, had not set up voice mail! I had noticed Anna Lee using an Android or something like it earlier, so I asked if she could access e-mail with it. She could. And did. I gave her the information and we found Peter’s e to me in which he had given me Byung’s cell number. YES (surprise!) I HAD copied it correctly! I tried a few times more. NOTHING! Back to Anna Lee . . . Could she go back to that e-mail from Peter since all his e-mails include his home and office phone numbers. Maybe he had found his phone and didn’t tell me. . . . I called both numbers  . . . twice! No joy.  Anna Lee suggested she could e-mail him a note to call me on my cell. At least I would answer it. So we e-mailed him something cryptic with my cell number. . . . . . . . And in five minutes or so my phone rang.  WHHHHEEEEEEW!

Okay, all was set. No worries.  I gave Anna Lee my “Balladeer For Rent” folksinger card, and to my surprise and delight, she gave me her business card with an e-mail address.  As the train entered the dark part of the station, slowing to a stop, Anna Lee rose to get her luggage, and asked if she could pass me my laptop case. “Absolutely,” I said, and reached into one of the pockets, removed a copy of my book Confluence of Legends about my visit to Urbana, Ohio where I read a Vachel Lindsay poem and played/sang folk songs.  I explained I would wait for most of the passengers in our car to depart before following with my bulky guitar thanked her profusely for being such terrific company! She indicated the same satisfaction from our serendipitous encounter and went happily down the aisle.

My laptop case was full of my books: the afore-mentioned Confluence, plus Minstrel’s Ramble: to Live and Die in Springfield, Illinois and Bear’ sKin, two of my  three poetry books and Springfield Aviation from Arcadia publishing. I had also brought copies of some Vachel Lindsay poems (I recite what I’ve memorised at the drop of a hint) and the Mozart biography. In one pocket were my hair brush, a bottle of after-shave from a grocery store. I had forgotten my toothbrush and toothpaste, though I had brushed before leaving Springfield. Finally, I had packed a pair of clean shorts, Fruit of the Looms, for the return trip the next day. I needn’t have bothered.

The trek into the station up the escalator and over to the CVS to wait for Peter was a breeze, in light rain. I would have been as happy to be walking in magnificent downtown Chi’ if it had been raining cats and dogs. I had packed light, I had my guitar, some great memories from the trip with Anna Lee. I was looking forward to seeing Peter and Byung again. I wasn’t merely Springfield folk slinger; I was frikking James frikking Taylor! I was a frikking STAR! I was absolutely where I wanted to be!

. . . Coming next on “Return to Chi’ (or) I Didn’t Even Change My Shorts” part 2: I meet Peter and tour an art house preparing for a silent auction and the FABULOUS MAJOR University of Chicago Art Gallery!

Live long . . . . . . . and proper.

 

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I Hurried Home

For the past year I have stopped at my AeroKnow Museum, at the airport to work from 5:15 until sometimes 9 or 10 and always until 7 or 7:30. There was always something I could do, most of it enjoyable, all of it necessary. For a good part of this year I’ve limited my model airplane building to time spent twice a month at a local club meeting when I would put a few projects into a carrying box with essential tools, glue, paint and perhaps a brush or two. The anticipated outcome of my socializing twice a month has not been reciprocal as I anticipated it would be. To accomplish what needs to be done at the airport, I’m reduced my club meeting presence to once a month.  I’ve also opted out of most poetry activity, including the open mic gathering downtown next week.  I WILL BE playing and singing my folksongs at a gallery reception next Thursday, and I’ll have my poetry books for sale. I may even sell one.

THAT would be a first.

The circumstance at my employer continues to challenge. I ALLOW IT to suck my typically moderately more positive attitude dry.  Why?  When I leave this orb with no forwarding address, I do not intend to leave clinging to some hope to see my next breakfast. I will leave, content to have had more that one chance to make things work even though I’ve failed every time.  I will be resigned and glad to go. The time comes when one recognizes that passing woes are “temporary” to be sure, but sometimes they are symptomatic of a greater, permanent dynamic that will not change for the better.

So I hurried home last night. I didn’t even stop at the airport. Night comes sooner and visitors fewer after the sunshine sayonara.  I will not pollute my time there with bitterness.

The ready-to-eat  chef salad from Shop ‘N’ Save supermarket was excellent with the Kraft Catalina dressing, and I had two peanut butter and strawberry preserves sandwiches for dessert with a surprisingly moderate assistance down the hatch with my friend Carlo Rossi (Burgundy wine; not to be confused with Burgundy beer or Burgundy replacement auto parts). I enjoyed the vice president candidates’ debate and the Charlie Rose program that followed on PBS. I went to bed and was asleep in fewer than 10 minutes. I slept well and awoke about 5:50 this morning to return to the airport museum.

I am not an angry hummin’ bean.  But home — sans lady-love interest, sans domesticated animal, sans a model airplane, but with books to read, a guitar to play, a TV with something worth watching two or three nights a week on PBS (five if I include Charlie Rose. I’m usually in bed by 10 in recent months), I am more inclined to go there after “work.” I ask for no volunteers at home, so the absence of volunteers at home does not shame me.

Tonight, I will hurry home again.

Live long . . . . . . . . and proper.

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I Want to Die Like Elvis

I want to die the way Elvis died. I know this is not the way most H & Q readers would choose, so let me give you my perspective, and maybe you will agree.

My fondest hope is to die in pleasant surroundings. I am pleasantly surrounded in my home’s bathroom. There is always the aroma of bar soap on the little shelf in the shower. Recently, I came to the end of an almost three-year experience with a soap called Safeguard. I remembered it fondly from my 20s, but I discovered after I purchased NINE BARS it that the soap had changed in shape, scent, and satisfaction. The new version (current version, I believe, so buyer beware) disappointed me with every shower. So last week, I replaced it with the new Dial for MEN bar soap, I like the new soap a lot. I purchased it ONLY because no matter where I shop for groceries, I cannot find my all-time FAVORITE soap which disappeared from the supermarkets I shop and resulted in three years of ho-hum new Safeguard, I am looking high and low and cannot find Lifebouy in the BLUE BAR.  THAT, my friends, second only to the original Safeguard, was a terrific bar soap. If you know where I can purchase more of it, please let me know. . . . . . but I digress . . . . .

As I was saying. my bathroom is a pleasant place.  Only the scent of an affectionate woman could make it any more pleasant. Even so, often the aroma of a still-wet towel from the Saturday shower soothes me like the fragrance of old-old paper rising from newly opened old-old books. I suspect Elvis felt the same about his.

I do not want to be drug-addled as Elvis was if I die in my bathroom. The way he died appeals to me. He was having a hard time letting go, so to speak. If he had taken a laxative, Elvis might be alive today.  Using his lower abdominal muscles to “force the issue,” as they say, the increase in blood pressure in his head caused a brain aneurism. He likely experienced a searing headache leaned forward, fell off the “throne” and came to rest in a semi-sitting pose on his side with trousers still around his ankles.

While writing this post, I searched the Web for details of his death, and I must confess, a brain aneurism isn’t mentioned in any of what I read. Constipation was a factor. This affliction is something I would have to develop because I think I was 11 years old the most recent time it was an issue. And with friends like mine, who needs enemas?

Still, a brain aneurism would not be a bad way to go. So Elvis or no Elvis,  I’m stickin’ to that demise scenario in my bathroom.

It appeals because the end would come quickly. Even if I vomited as Elvis did (they found him in a small pool of vomit which experts in the vomit field diagnosed as having come from the inner workings of “the king of rock’n'roll.” Knowing I would not have to awaken later in the mess, as I went, I would not begrudge myself leaving a little on the floor on the way “out.” By the time anyone would find me in my home’s bathroom, with doors locked from the inside as they usually are, considering my social life. Suggesting the term “near nil” to describe it is gross grandiosely flattering HY-freaking-PERBOLE), considering how it would probably take three months for enough conventional mail to accumulate in my front porch mailbox for the postman to consider calling the police and coroner, I think the bile and foody bits would be long-since dried; but my body . . . not so much. As a man who hates to go more than a few days between showers, I would hate to encounter me on my bathroom floor two months after my last one!

Another positive about being single — not that you asked — is that any kind of serious distress I encounter at home — away from playing and singing my songs, away from poetry readings and Vachel Lindsay recitations, away from my aviation museum and my employer — is likely to be my last serious distress. I won’t be “clinging to life” in an ICU at hospital — not that anyone would admit me after they examine my financial health.

Dying like Elvis simply seems a tidy way to go — not that it’s part of my “to do list” for awhile. Still, as my hero Ringo Starr once wrote, “tomorrow never knows.”

Don’t give this post a second thought, It was a humorous idea when I began writing it. Now . . . not so much.

Live looooooooooooooong . . . . . . . . . . . . . . . . . . . . . . . . . and proper.

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Approaching 65 — #31 — Last Day at 64 and FOUR poems I wrote

While looking for another poem/song lyric for practicing, I re-discovered the following poem I wrote about three years ago.  I was not yet 61. It was something of a memo to myself. All of this was a year before I was invited to set up things at the airport

Mandate 61
by Job Conger
written 11:42 pm, Friday, March 13, 2009

You’re getting old.
Make friends.

Many of that old gang you knew,
when you were young have died.
Your first love has forgotten your name
though hers you will never forget.

Time is no longer infinite.
Your tabula is no longer rasa.
You may die wearing the shoes
that are on your feet today.

People who really matter
are those you like and love at this moment.
Give them cause to delight in you,
reasons to remember.

You’re running out of second chances.
Make life; not woe.
There’s no more time to hate.
Avoid brainless fly catchers for sanity’s sake:
yours and theirs.

Offer nothing half-baked.
Don you now, comfortable apparel.
Wear purple if you can gain from it.
Go the extra mile
for those who matter.

You’re getting old.
Make friends.

– The poem was written just more than a year before I started moving my aviation history collection out to the airport. My life since the move and getting really serious about this project has become almost totally focused on the museum. If I had opportunities to play guitar and sing, I would make time for that; also for reciting Vachel Lindsay’s poems and the story of his life . . . and my own poetry. The opportunity to share creates the time to share; not the other way around. I have no time for “friends” now, and — I say with regret, I have no time to be a friend. I want to have more time to be a friend.

Here’s another poem . . .

What the Middle-Aged Guy Said
by Job Conger
written February 1, 2005

When I am old, I shall wear people.

People who fit me like a glove
I shall wear on my hand.
People I take to the dance,
I shall wear on my arm.
People I love,
I shall wear on my heart.

People whose lives do not harmonize with mine,
but who like me,
I shall wear . . . . . . . . . . . . . . . . . . . at arms’ length.

Those whose minds move
to the beat of the drummers
whose rhythms also inspire me,
I shall wear in sympatico syncopation.

Wonderful conversationalists
I shall wear on my ears.

Lovers and friends lost to the passing years
I shall wear in my memory,
ready, at the drop of a hat,
for me to pull them out
and recall the colors of their lives
to lovers and friends today

People whose physicality
is a beautiful symphony
I shall wear on my eyes.

People who live in perpetual solemnity
I will not bother to remove
from the hooked, triangular
wire apparati in my closet
from which they hang.

People who grate on my nerves
I shall wear thin.

Consenting women
for whom I feel rapturous affection
I shall wear on my lips as often as possible.

People who have turned my hope to anguish
one time too many
I will wear on the bottoms
of the soles
of my unpolished shoes.

When I am old, I shall wear people
as I wear them today and am worn in return.
If the reader things that “wearing people”
is a simple, idle, whimsy; a milkweed, a Whiffle ball
struck with a plastic  bat into the infield of philosophy,
that’s okay with me.

After all,
I was only putting you on.

– Yes, the woman’s poem about wearing purple inspired this, written in good humor, in hopes of generating a chuckle or two. The third of the four poems is a song lyric.  I’ve sung it twice. I will sing it again at Gallery II this coming Friday downtown. The final poem is also a song lyric I intend to sing Friday as well, I think, for the second time, but first. . . .

Thanks for your attention to any and all of the past 31 posts leading to my birthday Wednesday. I doubt that I’ve told you anything you don’t already know about LIFE — folks who like me are usually well set from the get go — but I believe I have given you a better idea of the person I am. And WHY?
Is it vanity? Yes. But I think it’s part of the human spirit to want to be known and remembered by others. If I have succeeded as I hope, you will remember me. And when I resume more occasional Honey & Quinine posts, you will read me again.

Balland of the Nearly Resolved
by Job Conger
written March 12, 2006

I’ve had me some sweethearts
Who said they thought me wise,
Traded love for some
Bountiful baskets of lies,
It was so mercantile, and I never knew why.
It seems I was born to be a lonely guy.

My delirious romances
They all ended in a huff.
I haven’t loved often,
Or even enough,
But I’m done with the fool’s game of wondering why.
It seems I was born to be a lonely guy.

(refrain)
There were no greater thrills, passions more fine
Than lusty tussles, lips sweeter than wine,
But those were yester-years’ joys. Now I contemplate
Life savoring different dreams as master of my fate.

Companion forever hopes,
Duets in the sun,
I had my chances,
And I blew every one.
I’m done will fooling myself. It’s folly to try.,
It seems I was born to be a lonely guy.

No more quilt and antique shopping.
There’s more room to stretch in bed.
I don’t have to pretend to like her friends;
I just have to pretend to lie my friends, instead.
I’ve not vacuumed my house since last Fourth of July.
It seems I was born to be a lonely guy.
– oh my –
It seems I was born to be a lonely guy.

. . .

September 5
by Job Conger
written October 1, 2006

One morning I awoke confused,
Turned suddenly 59 and mused:
Why had I survived so well and long?
Perhaps to write this poem/song.
I cursed my solitary mode:
Faint footprints down life’s rocky road
And ghostly visages of fall
So glad to see the coming fall!

(chorus)
There is no wisdom in replays
Of ancient dreams and loving ways.
I sigh too much for yesterdays
and do not laugh enough.

My hometown streets of misspent youth
Where I sought neither love nor truth
Are avenues of reveries
And hearty sunshine melodies.
Today, dark hues life’s canvass frames:
Stark, scathing strokes from lingering shames
And for what good? Brave hearts all know
You can’t repaint the status quo.

There is no wisdom in replays
Of ancient dreams and loving ways.
I sigh too much for yesterdays
and do not laugh enough.

Each day imprints an empty page.
We move the plot in peace or rage
With warm embrace or tart contempt –
The manicured and gross unkempt
And we who count down days to doom
With fading hopes mired in the gloom
Should celebrate each gifted dawn
An pledge anew to carry on!

There is no wisdom in replays
Of ancient dreams and loving ways.
I sigh too much for yesterdays
and do not laugh enough.

 

Live long . . . . . . . . . . . and proper.

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Approaching 65 — #30 — Three Fine Days

I’m approaching the end of three fine days of arriving at the airport museum no later than 5:20 am and leaving just before dusk on two of them. The exception was last night when a friend — webmaster and publications editor for the American Aviation Historical Society, returning to California from a major aviation event in Iowa that even I attended  t w e n t y – o n e  . . . y e a r s . . . a g o, bought me dinner after an unhurried tour of the museum. I have had a taste of marathon days out here, labor that brings me an incredible satisfaction. I would gladly do this work as long as I can stand, total immersion in my little airport dog and pony show. Tuesday, I’ll work at “Stone Circus” until 5 and return to this museum for another few hours.  In the 8.5 hours at “employer,” I will be off my feet, seated longer than I’ve been over these three fine days.

When I return here tomorrow, I’m also going to practice guitar with the office door closed. That’s because I’ve been invited to perform at an art gallery reception this Friday, and I want to practice. Practice is what I do to be confident about what I sing. I’m going home a little early tonight because I intend to practice at home with another guitar.

The older I get, the simpler I become, I think, though I really don’t believe it.

Thinking but not believing, accepting but not engaging consideration of what I say I think is the new “easy concession card” these days.  I think the house of cards will stand, will survive the winds of circumstance which is not to say fortune (implying what is deserved), which is not to say fate (implying that my morality and the morality of an omniscient entity don’t play a part of the outcome) because what I cannot understand delivers the wind that blows me to a point of view called a conclusion. Life that is beyond my understanding I surrender to what is beyond my concern.

So it is in politics. Bob Dylan wrote (and I will sing Friday night) “Come mothers and fathers throughout the land./And don’t criticize what you can’t understand.” What separates me from so many is that I will not let someone do my understanding FOR ME. Winston Churchill said “It is better to be silent and thought a fool than to open your mouth and remove all doubt.”

“Where have you gone, Joe DiMaggio? Our nation turns its lonely eyes to you. Woo woo woo.” — thank you Paul Simon and Art Garfunkel.

Live long . . . . . and proper.

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